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Post by Deleted on Dec 24, 2017 12:36:38 GMT
What i noticed is they say very little in general Hi-Fi apart from promoting the brand! I once knew a Religious Naim user many years a go came around one day with a Audio Reaserch 'SP-8' sed his Doors Records have never sounded so good!. This is a fucker who said the '32.5' was the best thing since sliced bread. I bought the 'SP-8' from him for about £500
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Post by MartinT on Dec 24, 2017 12:54:35 GMT
It's best to leave Naim 'believers' alone, in my experience they rarely accept that anything sounds better. Others have selected Naim on merit and I have no issue with that at all.
I'll never forget the idiot salesman at Grahams Hi-Fi who, when questioned about better turntables, responded with 'I have every faith in Linn'. There you have it, a belief system.
Best leave them be, it's an unwinnable debate.
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Post by Deleted on Dec 24, 2017 12:59:18 GMT
I only looked at their Media player a bit back out of being what i wanted in that type of thing. The price was high, a brand i learned my lesson years ago with hence never went any further.
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Post by Deleted on Dec 24, 2017 13:31:12 GMT
I joined a spin-off forum from the Linn forum earlier this yeah and I dared to say I wasn’t a fan of the LP12 and I was chastised immediately. I have subsequently left there.
Linnies are very strange people and Naimies are on a par!
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tonedeaf
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Post by tonedeaf on Mar 9, 2018 14:46:49 GMT
I know very little about hifi and was swept along by the hi-fi mags in the 80's and 90s. Every month the same old manufacturers would get the same 5*s and being young, foolish and gullible believed what was written and fell in with the main stream. In hindsight it seems so ridiculous that they were trashing everything from the 70's as archaic and old fashioned, and this new lightweight, soul-less sound was the new way to listen to music. I bought a new ( but cheap) Kenwood amp, prb 40wpc and thought it was the bees-knees, looking back it was horrid, but was sold by the mags and slippery sales staff in my local shop.
I always lusted after a Naim or LP12, so glad i didn't
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Post by karatestu on Mar 9, 2018 15:03:52 GMT
The mags have a lot to answer for. I have modded a lot of Naim gear and it did improve the round earth aspects of them but there is only so far you can go and you just can't polish a turd
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Post by Deleted on Mar 9, 2018 15:12:43 GMT
The mags have a lot to answer for. I have modded a lot of Naim gear and it did improve the round earth aspects of them but there is only so far you can go and you just can't polish a turd Indeed with 60's derived amplification technology coupled with an appalling 36Khz+/- 3dB bandwidth (not the DR stuff) surprised they sounded as basic as they did. A while ago I was given a 552/555 and matching psu's to play with, quite shocking average inside given the price.
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Post by Deleted on Mar 9, 2018 15:46:12 GMT
I have had lots of pleasure from Naim amps, CD players and speakers. I am less keen on the newer stuff I have heard but the Vereker era stuff is still something I like and enjoy. I have had a few Avondale bits which did make them a bit more "round earth" but the baby went out with the bath water for me. I just didn't find results enjoyable. I did like the Teddycap and variants though.
To me, the stuff which Naim built its reputation on excelled at some things, whilst it just didn't do other things at all. The "flat earth" sound was just one way of making music, the same now as in its day. To some it will be unacceptable due to its limitations, but to others it will remain compelling due to its strengths.
The idea that a few reviewers and dealers somehow hoodwinked people into buying Linn and Naim against their better judgement is just too simplistic. I accept that the 1980s dominance of these brands meant you couldn't always compare stuff in the same shop, but I managed to travel and heard many other sounds. Given that I lived in Newcastle and didn't drive, it would've been easier for many others than it was for me. I don't ever recall being hypnotised or put under a spell when I visited any dealer. I simply chose what I liked best. If I could t afford it, I'd seek out a used bargain.
The uncomfortable truth is that some other brands failed to make an impact because they were not quite the finished article. You either had poor finish, reliability issues, lack of user-friendliness or a company that failed to supply dealers with saleable product. Today we hear a lot of belly-aching from the "also-rans" of the 80s and early 90s, but their failure to provide decent competition only served to strengthen the Linn/Naim dominance. Not everyone will want to wear a hair shirt and both Linn and Naim capitalised on the weakness of the competition IMO.
I tend to think that the pendulum has swung too far the other way and that it's now become "fashionable" to deride flat earth kit from the 80s and 90s. To me it's just as false as the hype that tried to portray such products as the "only way" back in their day. Hopefully a more balanced perspective will return in time: Probably fuelled by the relative scarcity of these products when more and more of then have left for the Far East. You have to ask why there is so much overseas demand for stuff so many are now claiming to be junk.
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Post by naim1425 on Mar 9, 2018 15:58:27 GMT
well i just enjoy the music not bothered about other people`s opinions as they don`t have my ear`s,i used to listen to the electronics many a year ago.changing from mus fid to krell to audio research and mark levinson etc,i just fed the hifi shops money,i should of had a revolving door with the hifi bits and bobs.i pent more time listening to electronics than to the music .i would not say it was better but different,i don`t knock anybody`s system or opinion,because its their ears,a lot of people ive met say can you here this or can you hear that.i myself just enjoy the music,or my lugs may be better than theirs as they are quite large.i used to spend fortunes on system components just to change later on,for a different sort of sound.now I'm not bothered about a drummer sitting six foot in the garden or how big the sound stage is or how much depth there is.as the doobie brothers said listen to the music.
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Post by naim1425 on Mar 9, 2018 16:02:39 GMT
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Post by karatestu on Mar 9, 2018 16:17:42 GMT
I have re-read my post and it comes across really badly, sorry.
I used to love my Naim stuff (still got a heavily modded CD3.5) when I was much younger and full of testosterone. My tastes seem to change though as I got older and so did my tastes in music. The Naim leading edge sound was just not doing it for me anymore so I started modding them and introduced some Avondale mods and products. That suited me better at the time. Recently discovered another brand of equipment (NVA) and that is replacing most of the Avondale stuff as it more suits where my life , tastes and ears are now.
Naim are successful for good reason but I think we can all do with out the fan boys who shove it done your throat (no one here I might add).
Stu
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Post by naim1425 on Mar 9, 2018 16:32:05 GMT
I think we can all do with out the fan boys who shove it done your throat (no one here I might add).so who pushes it down your throat,naim them and shame them
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Post by Deleted on Mar 9, 2018 18:02:04 GMT
I have re-read my post and it comes across really badly, sorry. I used to love my Naim stuff (still got a heavily modded CD3.5) when I was much younger and full of testosterone. My tastes seem to change though as I got older and so did my tastes in music. The Naim leading edge sound was just not doing it for me anymore so I started modding them and introduced some Avondale mods and products. That suited me better at the time. Recently discovered another brand of equipment (NVA) and that is replacing most of the Avondale stuff as it more suits where my life , tastes and ears are now. Naim are successful for good reason but I think we can all do with out the fan boys who shove it done your throat (no one here I might add). Stu My post wasn't directed at you, Stu, other than in terms of the "round earth" reference. It was more a response to what I see as a collective "re-writing of history" where Linn and Naim gear was always shite and we were all somehow conned into passing over much better stuff to buy it at the time. Instead, I've come to think of hifi as more of a "fashion": I've seen old valve amps thrown into skips and selling at boot sales for a fiver when everyone bought tranny amps. A few years later, I saw their rebirth via The Audio Innovations/Snell pairings. Now tatty Pye Mozarts are going for over a grand and some utter crap is fetching high numbers simply because it's valve. I've witnessd good but unfashionable Jap battleship amps sold for peanuts and looked down upon, because everything from Japan was seen as "Jap Crap. Now we have an equally daft situation where anything retro-looking with big knobs and VU meters is going for daft money. Lots of this stuff was way down the ranges of the makers in its day and is possibly way off spec now anyway. I've seen a swing from vinyl beng pronounced as infinitely superior to CD, to people claiming the reverse. I've also seen it pronounced dead several times and yet now some people claim it will see off CD, and it is the latter which is "dead" despite billions of cheap CD's out there. This whole "flat earth" bashing is another fad. The irony is that the Far East is following a different fashion trend and snapping up our out-of-favour kit like there's no tomorrow. When our fashion tastes come full circle and this stuff becomes cool again, there will be a very expensive "tomorrow" for anyone wanting to buy. If I had the space, I would buy as much flat earth kit as I could and sit on it. I reckon it will outstrip many investments. Flat earth kit was never crap and it was also never the *only* way to make good music. It was simply a way that did some things exceptionally well and others badly or perhaps not at all. Nobody should have to find excuses for buying it in the past, nor should they ever have to find other people to blame. Nor do we need smug comments from those who now claim they didn't like flat earth stuff at the time and now see themselves as somehow smarter than others. They weren't smarter and they weren't any more "right" than those who did buy it. They just had different tastes. I like your acknowledgement that your tastes have simply moved on. For anyone lookng for a balance of virtues, your current choice appears to be a sound one. I like your "leading edge" description of the Naim sound. It sums up a lot of what you get with old-school Naim. I don't really see the current company or its products as being connected to the products of yesteryear. When JV died, there was a clear movement away from the more "committed" sound and quirkier products. The takeover by Focal has seen them move even further away. I think the name they built during the JV era has stood them in good stead though. I only wish I could feel as excited by their products.
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Post by ant on Mar 9, 2018 18:49:48 GMT
Full linn system. Lp12, basik plus and k18. Linn pretek powertek, linn interconnects. Linn k400 and linn index gen 2. Cd came via an arcam delta 170.3 and black box 3. Vinyl playback described in 3 words. Absolutely. Bloody. Awful. Or alternatively, hideous. Screeching. Racket. Cd was very marginally better, the delta combo was kept and used in different systems until it died when a cat sprayed the side of the rack it was in and there was a big flash. No more cd.
There was absolutely nothing in that system to make it something that was worth upgrading. Not a single redeeming quality. It was enough to be put off linn products forever. Never had another one since.
The delta combo moved into a musical fidelity/kef system, an mf a3 amp was bought when i altered the system, then when dead, the delta was replaced with an xray. The kefs were binned after a while and quad 11ls replaced them.
The lp12 itsself was kept, the basik and k18 were set on fire for crimes against humanity and ceremonnially buried in a shallow grave.
They were replaced with a project 9 carbon fiber arm that my dealer at the time (sounds bad that :-0) managed to blag off Henley designs for me before they were available separately (this was about 2002) and an ortofon 540.
Vinyl was now fairly enjoyable in a coloured sort of way.
The lp12 was never as good as it was reported to be, and my experience of linn electronics put me off linn forevermore.
Naim, dunno, briefly heard a nait 5I around 2002 when i bought the a3, but i preferred the a3. Linn? Never again.
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Post by Deleted on Mar 9, 2018 19:51:57 GMT
I have personally gone off Naim. Not knocking anyone who has one of their systems or components.
I’ve never liked their speakers, which to me sound thin and scratchy at best.
Their amps are meh, Exposure have a similar sound, but in my opinion are so much better.
I liked the CD Players, the Naim CDI which was a very competent CD Player, I liked the CDX2 and CDS3, although it wasn’t ever worth 10k which is just taking the proverbial.
The NDX streamer I have recently sold should have been a lot better than it was. My understanding is that Naim have cut costs by putting inferior power supplies in their lesser products. I don’t know how true that is but it would make sense re the NDX. At nearly £4k it should have sounded a lot better and interestingly was bettered by my Cambridge/Beresford combo by quite a large margin which is around 3x less expensive, You are honestly paying for the Naim!
I also think that Naim and Focal are polls apart in terms of sound and really don’t work together well. Focal need a smoother sound
In terms of people, the Naimies and Linnies are the worst, you can’t possibly say that a Naim or Linn component isn’t to your taste, or you believe you’ve heard better.
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Post by MartinT on Mar 9, 2018 20:02:17 GMT
Without doing any obvious brand slagging, what happened during the flat earth times was down to a) dealers and b) magazines, with the likes of Ivor Tiefenbrun royally winding their handles. Their demands from dealers were such that quotas had to be reached in order to retain their dealerships. The dealers were scared stiff of not being able to sell Linn or Naim equipment because the magazines were saying that you're just not serious if you want to buy anything else.
I remember going to Audio T, Graham's Hi-Fi and The Cornflake Shop and they all variously displayed their bias as a belief system. I remember booking a demo of the Croft Series 4 power amp with Audio T and telling them that I had transmission line speakers. Imagine my horror when they carted out puny Proac Tablettes into the demo room. When I complained they made some pretext about not having time to change things now. They used those bloody speakers for every demo! What a complete waste of time for me, trying to evaluate an amplifier with a complete octave of music missing.
I booked a listen to a Naim preamp at Graham's Hi-Fi and took along a friend's Croft Micro for comparison. The Croft made the Naim sound broken. The dealer rep would have none of it, again talking about having 'faith' in Linn and Naim. He didn't much like it when I laughed out loud.
There was nowhere that you could listen to an LP12 versus a Roksan Xerxes versus a Pink Triangle. Would that I had known to just go and buy an SP-10 and be done with it. I would still have it now. Look at some historical reviews of the SP-10 and you can read them trying hard to damn it with feint praise. Where could you ever read a comparison of a Fidelity Research arm versus an Ittok? I dare say Linn didn't allow the magazines to make such a direct comparison and they wouldn't dare publish it anyway.
It goes on and on with dealers openly making you feel inadequate for daring to ask about other brands. I had to buy JBL speakers from a Tottenham Court Road box seller because no 'serious' dealer would stock them.
All we would have wanted was an open market allowing fair comparisons, and publications not being so clearly in the hands of the vendors. Those were sorry times.
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Post by naim1425 on Mar 9, 2018 20:33:11 GMT
this is what i like people talking about linn/naim ,they must have a cob on, if they dont like them dont buy them,but thats what made linn/nam famous other people talking about them,who may of tried them once or twice and the start condeming all naim bits and bobs,what i like about it is they can always generate a talking point,which is happening hear.think of the old dear`s who own linn/naim system,you dont hear them slagging off other makes of hifi,maybe thats all they can afford,when hifi shops used to sell naim years ago their proffets margine`s were sky high thats why the shops used to push them,but letts face it linn/naim are still around so they must be doing something right,play music.if people stopped slagging off who or what hifi manafactures and buy some music cd,lp or any sort of music the may enjoy life a little more,the whole point of hifi is listening to music it does matter what format,forum members classics
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Post by Deleted on Mar 9, 2018 20:37:23 GMT
It just goes to show how experiences can differ. Some of my best flat earth memories came from the Linn Intek driving Kans. I had an LP12/Ekos/K18 as a source and then I got an OC9. I actually rate the K18, although I'm more of an MC guy. I've had a few over the years. Way better than the K9. The Intek actually replaced an NVA P60/PSU/A40. The two were very close but the Intek edged it. I'm not sure how it would've fared with many other speakers, but it did drive Saras.
LP12 was never my favourite deck, but it did sound good to me with the Ekos and a decent cart. I'd still much rather have a Xerxes though and it you didn't need to spend Ekos money to get a great sound,
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Post by naim1425 on Mar 9, 2018 20:53:04 GMT
this is classic mine`s about 40 year old, i have not changed the needle yet still mint ,plays better with jam or chocolate on the records, lowers the wow and flutter,no clicks and i dont need a power supply or even Ankaka battery`s or special power leads,filter or special hifi stands or cones and you dont need a Koetsu or suppex cartridge s or even a stan dac.it just plays music the way it was recorded
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Post by naim1425 on Mar 9, 2018 21:01:38 GMT
i use a ekos/troika on one tt and a naim arrow/Koetsu on the other
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