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Post by John on May 27, 2023 17:53:32 GMT
I am hoping to try and understand the use of external clocking as a lot of different views to them. I myself am quite new to using a external clock and am happy with using a external clock in my system. However there are a number of videos and articles that suggest they cause more issues than harm and want to understand this in a bit more depth. So my subjective experience with using a external clock has been positive. It has given more grunt to my heavier tastes, deepened the soundstage, added more detail and taken me closer to the illusion of hearing the musicians play. Also I can listen to hours and hours without any sense of fatigue. Everything just seems more real. On the flip side their are a lot of people that argue that putting a clock adds noise and does little in terms of accuracy and perhaps is a backwards step. So I hoping to understand better my subjective experience over the theoretical view points Here are a number of counter arguments to my subjective experience. goldensound.audio/2022/04/14/gustard-x26-pro-measurements-f20-firmware-10mhz-clock/In hear he states the following "So a question that many people will have: “Is adding a 10Mhz clock worth it?” The short answer: No, 10Mhz clocks were never intended to improve jitter performance and almost never will do so. They are a tool to solve a problem in professional environments that does not exist in home setups." This is either a more passionate or dogmatic argument about why adding clocks is not a good idea www.soundonsound.com/techniques/does-your-studio-need-digital-master-clockAny insights on this would be more than welcomed
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Post by wannarock2 on May 27, 2023 18:08:33 GMT
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Post by HD Music & Test on May 27, 2023 19:21:57 GMT
Ideally the main reference frequency should ideally be located as close to the dac as possible, this was stated by Wadia in the early 90's alos they ran a synthesied clock for the DSP as well. They used dedicated 16.934Mhz & 18.432Mhz for the two mulriples of 44.1 & 48Khz As many manufacturers did. However as with all things in the real world its not plain sailing. These days with great fabication techniques and small components, circuit board layout, board stacking and veer placement, plus many clock now are synthectically derived. The quality & placement of the oscilliator, supply rails, length of track to the dac chips itself (or the precision ladder) is all taken into account. I can only think of three (dacs) that really do run with this philosophy right to ever aspect of integration and have what i would call a outstandingly low phase noise & jitter figures all of these dac's are in the six figures. Does that make they so much better than the others, in most cases not so much but with the right set up its quite breath-taking. The most accurate internally fitted clock in a dac is the now the Wadax which claims a phase noise of 12fS which is around 2 more than the clocks I use in the lab, MSB have a 33fS device in there Select II and you can upgrade it on the reference for a mere £12K "Zepto Reference clock: doubled the master clock frequency with only 12fs total jitter." which in itself is not correct, it should be halved lol I would suggest that is beyond 10-13th power in terms of accuracy So does have infinitesimally small phase noise & jitter really deliver positive up-turns in SQ given that the hearing threshold of humans is 120s/n can we really hear such differences well plenty of folks will tell that the maths don’t stack up its impossible to hear any differences what so ever and that you are all barking mad. Conversely the LB clock has quite a low phase noise reference point @ 1Hz its -70dBc getting on towards -160dBc @ the 10Mhz point better than a lot of Rb clocks in audio, however it does exhibit one trait that a great many so called reference standard clock don't it has lot smaller noise spurri on the plotted trace. I could name; more than a few that are shall we say a touch more 'deviant' than the LB
Now quite a few dac use frequency dividing networks to achieve the various individual sample rate frequencies and every time you go through a splitter or introduce another outlet or deviation into the clock pathway you introduce phase noise, how much? purely depends on how the circuit has been implemented. IMHO the best dac's just have two clocks plus one master and they are sited within 30mm of the dac chips or ladder. However, to really create a truly decent clock it’s no small task and its going to take a linear LPS, many stages of regulation and smoothing, rock-solid stability, individual supplies for the various temperature-controlled sections, all circuit pathways impedance matched to within a one trillion of a nat’s chuff and that takes a lot of effort, time and R&D. Also when these clock are touted and measurement given, this is a laboratory environment, all test equipment would have been on for at least six ours, temperature controlled, isolation mains supplies, test ground planes ultra slick cabling all used in the lab. Remember, you are measuring these devices from their output through a specialist cable to a very precision measurement instrument which has been designed to remove as much of internal device noise /temperature and power supply (ac & dc) crap in an RF free area possibly a faraday cadge or clean room as in the CISPER testing. This does not resemble your audio system at home in any shape or form, and as I mentioned at the start the 'real world' clock performance in your DAC or Steamer is NOT the same imho. So why does attaching an aftermarket clock make that difference? Could be a multiple of factors, some manufacturers design in the word clock input to sell you and off board unit, so it could be a marketing exercise. The clock being attached is superior even through a cable and pair fo BNC interfaces The original design of the dac/streamer/transport is average and the money was spent on the casework and remote. It just merely changes the presentation not for the better or worse (a change is as good as rest). I have recently come across dac's that are wired for 10Mhz inputs and even with the top clocks ZERO difference can be detected despite the company actually making a master refence clock, that one I'm looking into lol A very good & industry respected fellow once said to me many years ago when challenged about 'could he hear any difference' replied I can clearly here a difference, therefore there is one, although whether you like that difference is a matter of personal taste. But don't tell I can't hear something where I clearly can!
Some idea of what is involved in clocks & Phase noise grading
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Post by MartinT on May 27, 2023 19:46:14 GMT
It does seem that measurements, as usual, do not tell the whole story.
The question is do external clocks make a difference? We can each only relate to our own experiences with clocks. In my case, the answer is yes, they certainly do. Secondary question: do they make a positive difference? Also yes, in my case the ones I have used do.
I have personally bought BG7TBL, AfterDark King and AD Emperor Triple Crown clocks. I have also heard other clocks from Cybershaft, Mutec and Leo Bodnar.
I have used my clocks with an EtherREGEN reclocker, Gustard DAC and Gustard DDC.
In every case for me, the clock has positively impacted the soundstage width and depth, the sense of timing, fine detail and absolute dynamics, to different degrees. The best combination for me has been my top AD clock used with the DDC through fed via I2S into the DAC. Having performed some comparisons, I prefer the sound of sinewave clocks.
Some observations: external clocks need an extremely good PSU to work well. They are critical of vibration isolation and need supports and weights in order to achieve that. They are also critical of the clock cable used, different cables affecting the sound quality in remarkable ways.
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Post by John on May 27, 2023 20:40:54 GMT
For Tony So spurs have a effect on sound quality. Is this similar to jitter or something a bit different
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Post by nicholas on May 27, 2023 20:56:36 GMT
I have used my clocks with an EtherREGEN reclocker, Gustard DAC and Gustard DDC. In every case for me, the clock has positively impacted the soundstage width and depth, the sense of timing, fine detail and absolute dynamics, to different degrees. The best combination for me has been my top AD clock used with the DDC through fed via I2S into the DAC. Some observations: external clocks need an extremely good PSU to work well. They are critical of vibration isolation and need supports and weights in order to achieve that. They are also critical of the clock cable used, different cables affecting the sound quality in remarkable ways. Matches up with my experience with the same kit. Biggest surprise for me was the recent addition of Black Ravioli pads which brought a further reduction of noise while increasing dynamics and micro details. Thoroughly worth a punt if your gear supports a clock input particularly considering the low cost of AliExpress and Bodnar variants.
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Post by stellabagpuss on May 27, 2023 21:17:26 GMT
For Tony So spurs have a effect on sound quality. Is this similar to jitter or something a bit different Yes l would like to know about Spurs, so no Harry Kane references 🤣 All joking aside, it would great to see some good and bad examples of Spurs, and indeed Tony's take on it.
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Post by John on May 28, 2023 6:20:45 GMT
So this is what I think might be happening. Both jitter and linearity (the lack of spikes) are important. With good linearity leading to a more natural analogue sound. I know this might be a bit simplistic but seems to be why the Gustard internal clock can be improved on as it has spikes. As Tony says this might be deliberate to sell the C18 as a upgrade to the 26 range.
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Post by John on May 28, 2023 7:49:04 GMT
Martin I am not surprised the AD clock makes a big difference on the U18 I remember hearing something similar in Vic setup when Stellabagpus put his AD first on the U18 and then on the DI20HE. It certainly helped both DDC's With the Audio gd DI20HE no longer being just a great DDC for Jazz as it suddenly also kicked arse 🤘. Just a shame the software is a bit buggy.
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Post by John on May 28, 2023 7:54:13 GMT
Have you tried squarewave on the X26 I found in my system it depends on the clock The LHY performing better in sine but the Leo trouncing this in my setup which is squarewave.
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Post by Clive on May 28, 2023 8:11:20 GMT
How much of this correlates with Gustards and their K2 Synthesiser? I can’t help feeling there’s something in the way the K2 works that means external clocks, and possibly the LB in particular benefit. I can’t speak for how external clocks work out with other DACs that have an external clock facility.
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Post by MartinT on May 28, 2023 8:18:13 GMT
Have you tried squarewave on the X26 I found in my system it depends on the clock The LHY performing better in sine but the Leo trouncing this in my setup which is squarewave. The AD only creates sinewave. Yes, I did try squarewave in the past and found it too edgy.
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Post by MartinT on May 28, 2023 8:25:13 GMT
How much of this correlates with Gustards and their K2 Synthesiser? I can’t help feeling there’s something in the way the K2 works that means external clocks, and possibly the LB in particular benefit. I can only relate additionally to the EtherREGEN reclocker. This has an internal Crystek 575 which limits its performance quite a lot. With an external clock, the ER really delivers as a pre-stage to the DDC/DAC combo and its benefits are very audible, even to changing its PSU and clock cable. This shows the Crystek 575 phase performance. Hard to believe as it holds back both the LKS DAC and EtherREGEN in sound quality.
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Post by HD Music & Test on May 28, 2023 9:28:31 GMT
I am busy today rigging up cameras and extra security, however I will set up a clock demonstration possibly tomorrow which is can show how those spurri (deviations from the line) in phase noise terms are small variances from the ideal these are in the frequency domain. Nothing perfect far from it, however the closer you to get to the ideal and stray less from that ideal the maths says you will produce a better result.
This experiment will be in the time domain HOWEVER the priniciple is identical, deviations from the 'ideal' put simply jitter is the the deviation from the 'maths' conputation agianst the 'real world' result.
I will set up a histogram chart with say 500 possible different results across a set time period and the scope will process this information and allocate exact result into a 'slot' in that 500 slot range, with a sample rate of 100K bin height.
We will also set up a 'trend' graph which will show another method of showing deviation from the 'maths ideal' in another graphic form
Have a good day chaps its the joy of home mains wiring / drilling / painting and if I get time the grass and a film lol
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Post by HD Music & Test on May 28, 2023 9:32:05 GMT
Martin
Good observation
This is urely down to the 575 incredibly fast rising and some overshoot across the positive width which leads to increased harmonics (and amplitute) well over the 20th @ 100Mhz clock speed I saw in excess of 2.3Ghz of frequency content. (this is a dirty clock imho) It generates far to much RF noise which is not properly delt with delivers quite a naim like sound as you were aware.
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Post by John on May 28, 2023 9:40:50 GMT
How much of this correlates with Gustards and their K2 Synthesiser? I can’t help feeling there’s something in the way the K2 works that means external clocks, and possibly the LB in particular benefit. I can only relate additionally to the EtherREGEN reclocker. This has an internal Crystek 575 which limits its performance quite a lot. With an external clock, the ER really delivers as a pre-stage to the DDC/DAC combo and its benefits are very audible, even to changing its PSU and clock cable. This shows the Crystek 575 phase performance. Hard to believe as it holds back both the LKS DAC and EtherREGEN in sound quality. I remember your LKS it was a bit strident I am no expert but the plot looks spiky
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Post by MartinT on May 28, 2023 9:46:49 GMT
this is a dirty clock imho It generates far to much RF noise which is not properly delt with delivers quite a naim like sound as you were aware. I agree, the 575 sounds bad (very Naim like) in both the ER and my old LKS. My point is, though, that it 'measures' well with a low published phase noise and spike-free plot. John the blue triangles are markers. The plot itself is remarkably spike-free. Possibly massaged to look good.
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Post by John on May 28, 2023 10:09:45 GMT
So getting this right like most things in audio is rarely simple
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Post by HD Music & Test on May 28, 2023 11:28:41 GMT
Just having a break from drilling lol, I've noticed that the PN plot on the 575 is way up on amplitute its +14dBm that high, most measurments are around -30 to 0dBm for RF based devices (apart from amplifiers lol)
That is 25mW of power 3.16V pk<>pk and 1.12Vrms assuming a nomial impedence of 50 Ohms.
I elduded top the rise edge of the SQ wave is one indicator of possible SQ along with pre & overshoot, I am more interested in + & - (ve) width's
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Post by John on May 28, 2023 13:20:00 GMT
I am still struggling around that a external clock is supposed to add jitter but I am hearing more detail. Its like I have the precision off a a good digital system with the soundstage of a really good turntable and the dynamics of a powerful amplifier. So confused as would have assumed better jitter would mean this.
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