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Post by ant on Oct 12, 2024 20:08:25 GMT
Got a load of bits and pieces for my technics sl150 power supply board delivered today, shall spend some time tomorrow pulling caps out and replacing them, pulling switches apart and sorting them too. It has a tabriz arm on it, cart is an at440mlb generator with a rigb body and a vmn40ml stylus. A bit of a bitsa of a deck i threw together just because. Has an intermittent fault with speed stability, so some tlc is required
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Post by ant on Oct 12, 2024 20:19:19 GMT
Actually, i might as well update the list, there have been changes.
The jbe series 3 now has an sme 309 and the dv20 on it.
The roksan is on top of a wardrobe
All the lencos bar one thats a bit crap and is being saved for a rainy day when im bored have gone
The jvc ql-y5f is still in place
The jvc ql-y3f has had more work done and is the source for my headphone system
The technics mentioned above was gathering dust so i decided to faff with it because i was bored
There is a revox parallel tracker on top of a wardrobe
I bought an oracle delphi mk1 and restored it, that has my own unipivot arm on it
I have my eye in some other stuff id like to try too....
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Post by MartinT on Oct 12, 2024 20:22:36 GMT
The JBE/SME/Dynavector sounds like a wonderful recipe.
The Roksan is where it belongs. Let the bloody thing sag some more.
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Post by ant on Oct 12, 2024 20:29:44 GMT
Nah it wont sag now, it has has the plate clamped straight and then steel pins bashed in (literally) to correct it. Does sound nice though
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Post by paulrbarker on Oct 16, 2024 18:19:38 GMT
In laymans terms for an ignoramus what does the compliance of an arm mean, and can I make a correct compliance magnet and fisherman chord chord arm to satisfy the compliance requirement of my spu. Havent got the sovs to pay for an spu arm. And I just know my Mayware wont pleasure the spu and by the time Ive set up the maywell Im sure to have untipped the spu after my stroke.
I should own up that last time I used the spu was on the Mayware, probably 15 years ago after Darren had supplied a Slatedeck for my 301. It sounded great but something tells me it was just wrong puting an spu on a Mayware. Not to forget it was held on with blue tack.
the mayware is such a faf to set up, post stroke Im not trusting my left had to play any role on such a gorgeous cartridge. As setting up an arm like a Mayware involves two skilled hands ….. maybe try the magnet method. With twisted fishing chord for anti scate. Jobs a lot sim0ler than a Mayware.
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Post by paulrbarker on Oct 16, 2024 18:40:16 GMT
Meanwhile I have my trusty Ortofon MC25FL but the tip looks worryingly possible not present. So I ordered a £15 Chinese usb microscope but the driver is on a disc and my laptop doesnt have a port. I tried searching on line but Im especially Microsoft illiterate. So I acnt get anything about it to work. So Ive forgotten that and ordered next a @100x microscope that doesnt have to mate with a Microsoft computer . How anyone tolerates microsoft I have no idea they are the clumsiest idiotic platform that could ever have been built on. They should have thrown it away years ago and started a fresh. Probably when ai takes over properly it will start by putting Microsoft in room 101.
Until I can see a stylus Im scuppered.
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Post by MartinT on Oct 16, 2024 18:41:45 GMT
Compliance is a measurement of the cartridge and not the arm. In simple terms, a low compliance cartridge has a stiffer cantilever and works best with a high mass arm. A high compliance cartridge has a very softly sprung cantilever and works best with a low mass arm. Very general advice, I am no longer an expert but I do remember my cartridge matching days.
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Post by paulrbarker on Oct 16, 2024 18:48:11 GMT
Although the £50 unknown but new mm cartridge in sme headshell with litz wire came alive last night on a Ralph Mactell LP. Wow what a good tone ? Only 50 pence in charity shop so I splashed out another 50pence for Gracy Fields. Havent tried that lp yet because Im listening downstairs on the celestians to the Radio 3 concert from that place in London which my stroke wont allow me to remember the name of its almost filtered up but not quite. I wouldnt care but I delievered there tons of times as a despatch rider. What a stroke does is rob brain cells. Veryvery naughty. Anyway I like the concert. Top bananna and no sibilance scratches or warps.
Barbican.
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Post by paulrbarker on Oct 16, 2024 18:57:35 GMT
Compliance is a measurement of the cartridge and not the arm. In simple terms, a low compliance cartridge has a stiffer cantilever and works best with a high mass arm. A high compliance cartridge has a very softly sprung cantilever and works best with a low mass arm. Very general advice, I am no longer an expert but I do remember my cartridge matching days. I guess the spu has a pretty stiff cantilever being it wants 4grams of force pushing it into the groove . Maybe that much weight will save me from the sibilance that is bugging me.
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Post by paulrbarker on Oct 16, 2024 19:06:57 GMT
Anyway so for now my hope is that the MC25 FL turns out not to have lost its tip and its probably suited to the Hitachi arm. I have to say I like the dd transport just as much as the 301. So the 301 is resting. Cartridge again, in mothballs I have a hifonic low output mc cart but one coil must be broken. Doesnt need a retip though. But who to trust with a rewire? Possibly not worth the cost. Great shame so very low output but oh boy so delicate so so minute detail, impossible to describe, but digital media would miss 80% of it.
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Post by paulrbarker on Oct 16, 2024 19:09:19 GMT
Ps Im haveing a bad day with my stroke so Im cheering myself up waffling on about analogue media, just because its my love.
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Post by MartinT on Oct 16, 2024 20:38:20 GMT
Ps Im haveing a bad day with my stroke so Im cheering myself up waffling on about analogue media, just because its my love. Keep it going, Paul. Exercising your brain is the best way to overcome stroke damage.
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Post by julesd68 on Oct 16, 2024 23:20:22 GMT
I always found the "Cartridge Resonance Evaluator" on Vinyl Engine incredibly helpful for arm and cart matching. All you need is to enter the effective mass of your tonearm and then read the table according to your cart and mounting hardware combined mass. www.vinylengine.com/cartridge_resonance_evaluator.php
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Post by paulrbarker on Oct 17, 2024 6:05:43 GMT
Reference the 301 vs direct drive experience. About 10 to 20 of us gathered for a weekend about middle of the country maybe 2008 or so. I took my 301 dinavector DVXX1L before its first retip. Some brought 401’s. I dont know what cart the other people brought or what arms the 401’s had. The dd’s probably had the gymble bearing arms. I had the Mayware, which worked very well on the 301, this was pre- Slatedeck, and I cant recall the pre slate plinth. Wood of some sort.
We played the Wall to death over two days. All the direct drives sounded just as good as my 301. This is only my opinion. The 401’s all fell short of the 301.
This experience backs up my confidence presently of the Hitachi Direct drive, with it’s own arm. Also is why the 301 was a bridge too far to set up again. I had lent it to a friend to build plinths so he had a 301 pattern. Did you know by the way there are two 301’s and I dont mean the difference between grease and oil, and the change didnt occur at that time. There are two castings. The earlier casting is fuller. I know this because when Darren had a slatedeck made for me when my casting sat in it there were gaps, I could see daylight. Thats how it was discovered. So Darren found another 301 with the same casting as mine and sent me that slatedeck. It filled the gaps; excluded the daylight.
Anthony who was using my 301 as a manakin, sent it back in one of his plinths for my trouble. No disrespect but I would want it back in my second slatedeck. So there is quite a lot of faffing around to restore where I have come from. But Anth is a great friend and it was a pleased to help him out.
My 301 was found at a Radio Rally. I asked; “What do you want for that old deck”? I cant remember the number, but less than £200, maybe £150. Payed up put it in the car straight away before he changed his mind. Very glad.
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Post by MartinT on Oct 17, 2024 6:12:06 GMT
Decent direct drives sound better than most belt drives, too.
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Post by paulrbarker on Oct 17, 2024 6:16:28 GMT
I totally agree Martin with that statement. With the exception of the michel gyrodeck I owned in a marble plinth. It did stuff in the top end which the 301 missed, but the 301 in the bass the gyrodeck missed. I sold the Gyrodeck but am now picturing Bazil Faulty smacking his own bottom. Why did I let that go! Sometimes we have done stupid things.
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Post by Clive on Oct 17, 2024 8:59:09 GMT
As we age though the top-end goes awol so the 301 becomes your weapon of choice. 😀
As for a bottom to smack, that would be Polly’s…
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Post by palace on Nov 11, 2024 13:47:48 GMT
Now something very new. Stack Audio released a turn table record puck called the Serene on Friday very light so not a realy a weight neither is it a clamp, it is vibration absorbing instead as are the Auvas are that I use in various forms. Because my turntable is so different with 6 gold plated platter weights & alloy posts all topped with solid graphite impregnated PTFE pads for the records to sit on I was particularly sceptical as to their suitability after my flawed & failed attempt at using Auvas under the turntable. However the success of Auvas in my system tempted me to express an interest. I emailed Josh explaining my turntable differences also asking if there were an special things to do. His reply " It is a simple place and play installation. When first received, maybe pull the silver spindle attachment out a little and let it rest again to give the particles an awakening ‘pang’. This is our first very small batch so we are excited to hear feedback when used in various applications, your TT sounds epic already so will be interested to hear the outcome." The Serene arrived today, I played the Carpenters album The Singles 1969-1973 to warm the cartridge suspension etc. Then I put the Serene on once again with a Stack Audio product caused m to check record speed with my laser tachometer it was 33.3 rpm so even more relaxed,cleaner though bass seemed unaffected until tracK 3 Top of the World near the end where from the chorus comes a deep bass voice on the word "down" it was much more apparent than before. On Transformer Lou Reed again track 3 Perfect day Lou Reeds voice was just sublime. I am still trying to process what I am hearing that is different sure it's cleaner, my Nimbus recording of Sgt Pepper is playing as I type, there is more space & air now. My take so far is every LP with the Serene sounds cleaner, more space an odd thing to note, fade outs go on longer on a lot of tracks that I had not heard before. So thought provoking more to com I think.
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Post by palace on Nov 13, 2024 10:07:22 GMT
An Aussie Audiophile apparently helped Stack Audio develop the Serene record stabiliser (puck) this makes sense of my description.
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Post by palace on Nov 13, 2024 14:56:59 GMT
Further expanded thoughts regarding the Serene, music is sounding more relaxed, cleaner though bass initially seemed unaffected until tracK 3, Top of the World near the end of the track where from the chorus comes a deep bass voice on just the word "down" really was more apparent than before. Playing an early stereo Nat King Cole album of love songs courtesy of my late lamented father in law & mentor. The plucked double bass is now noticeably deeper & Nat King Cole's voice has subtle nuances not there before.
Further observations on what I have heard on Transformer Lou Reed on track 3 Perfect day Lou Reed's voice was just sublime floating in the accoustic. The tuba playing of the late Herbie Flowers on Goodnight Ladies was fruitier but not overblown & his overdubbed bass guitar & double bass line on a Walk on the Wild Side now was even clearer, the sax at the end sonorous. The track New York Telephone Conversation seemed a little more bouncy.
What is different, it's cleaner, my Nimbus recording of Sgt Pepper on playing, there was more space & air now, plucked guitar strings or sitar I can hear the pluck which is instant with the sympathetic sitar strings gently resonant but an almost separate entity. The voices of the FAB 4 in chorus their voice quite individual.
Overall I have noted drums had a sharper crack where appropriate on Dave Brubeck Greatest Hits brush sticks sliding on the drums are clearer cymbals shimmer rather than splash.
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