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Post by Deleted on Feb 23, 2016 20:06:28 GMT
A pic of the Stoet sat on the cube speaker boxes I bought. It's very much like a valve Myst Tma3 to look at
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Post by Deleted on Feb 23, 2016 20:07:24 GMT
No complaints about the build quality either. It came with Mulkard valves too, so I think it's a bit of a bargain.
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Post by Deleted on Feb 27, 2016 10:07:09 GMT
I haven't used my vintage Exposure 3 and 4 for a while, due to various toys coming and going. Today it was time to touch base with them again and they still easily dismiss anything else I've tried. I'm surprised just how much life and presence they have. good to play with other bits and sometimes it reaffirms to me just how good my favourite bits are. If only the power amp fitted in my Milan rack, it would be perfect!
On another note, the Kans I bought are faulty so must be returned. They are very pretty, but one tweeter is off. The seller apparently plans to stick a Scanspeak D2008 in them upon return, which is sacrilege, but there's not much I can do. I hope it's the crossover at fault, so they can stay original. Not my problem, I know, but I hate bodges.
The little Stoet amp still has an issue with the volume pot (I think). One channel makes a noise when it's rotated although the effect reduces as the amp warms up. On one occasion, rotating the pot made a bang, like the sound you get with arcing, Does anyone have any idea if this could be something more serious, like a valve or transformer issue. I bought off EBay and the seller has offered a refund. I like the wee Stoet but I don't want to be stuck with a repair bill or an unfixable amp. I know squat about electronics and I know some here build valve amps so may be able to advise.
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Post by MartinT on Feb 27, 2016 10:39:33 GMT
I wonder if there's any DC on the pot? It shouldn't do that. You can clean the pot contacts by exercising the volume control to max and min 20-30 times with the amp switched off. If that doesn't work, you'll need to spray a little switch cleaner on the tracks.
Frankly, you should consider returning it as no amp (let alone a new one) should make bangs.
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Post by Deleted on Feb 27, 2016 11:01:28 GMT
Thanks! Martin. I've tried the multiple rotations but I'm waiting on the seller's Permission to try the Servisol. I've had a few dirty pots over the years but this seems different, especially the way it improves as the amp warms up. I suspect it's something more too, when it's made a bang. If the Servisol Super 10 doesn't do it, I will have to return the wee thing. Pity, but I'm not skilled enough to dabble and it's not worth putting extra money into.
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Post by dsjr on Feb 27, 2016 11:30:04 GMT
Coupling caps... My ex editing suite and very hard used HH amp had terribly crackly (Noble) attenuators/pots but this also changed as the amp warmed up. There are four caps in the signal path adjacent to the controls (it's a pro amp remember and expected to be fed by all sorts of stuff). I replaced these caps with conventional Nichicon FG's and as well 'imagining?' I got a much better sound, the iffy notches on the gain pots was much reduced.
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Post by dsjr on Feb 27, 2016 11:34:42 GMT
On another note, the Kans I bought are faulty so must be returned. They are very pretty, but one tweeter is off. The seller apparently plans to stick a Scanspeak D2008 in them upon return, which is sacrilege, but there's not much I can do. I hope it's the crossover at fault, so they can stay original. Not my problem, I know, but I hate bodges. I suspect it's a blown tweeter sadly. The crossovers were well specced and neither the small dome Scan, nor the Hiquophon were that durable if an amp hard clipped as many Naims (still) do. it is possible to replace the tweeters without ruining the speaker, but MUCH patience and care is needed when removing the grille and prising out the old driver, especially if the boxes are chipboard ones - Linn used an pumped underseal type of stuff to affix these drivers.
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Post by Deleted on Feb 27, 2016 13:38:37 GMT
Ive been ther before with Kans and it's a bit of a chore to say the least. Not as bad as sorting out a failed crossover in Saras though. Never again!
i agree a blown tweeter is most likely. Late Kan 1s seem to have a good few crossover failures, due to a single component in kans of a certain vintage being prone to failure. The Kan 2 had a didn't crossover (naturally) so I'm thinking a new Hiquphon wold be needed. I've returned them albeit with a heavy heart knowing they won't be restored correctly.
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Post by Deleted on Feb 27, 2016 13:50:03 GMT
Coupling caps... My ex editing suite and very hard used HH amp had terribly crackly (Noble) attenuators/pots but this also changed as the amp warmed up. There are four caps in the signal path adjacent to the controls (it's a pro amp remember and expected to be fed by all sorts of stuff). I replaced these caps with conventional Nichicon FG's and as well 'imagining?' I got a much better sound, the iffy notches on the gain pots was much reduced. Thanks, Dave. Sounds like I may be headed for another return. Such a pity as its one of the cutest things I've ever seen.
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Post by dsjr on Feb 27, 2016 16:33:46 GMT
I apologise. I'm ok at making or assembling simple things, but to my shame, I always preferred selling and enthusing about the stuff, when I'd been better served learning how to service it all too. The sad thing is, hifi Dave and I had a fairly local and amazing service engineer who would have LOVED to work on this. I once saw him partly dismantle a Marantz CD10 player in order to replace a large, 28 pin ic control chip. He was so careful and I swear his soldering was indistinguishable from the original after the chip was replaced. He made his own valve preamp and used rebuilt Beard power amps (the gold ones) and got a lovely sound into Quad 57's. This man had to give it up because by the late 90's, everyone was chucking out their stereo gear and getting into AV systems. Valve stuff was still rare and old Quads and Radfords have always been pricey since the mid 80's.
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Post by dsjr on Feb 27, 2016 16:58:05 GMT
One final thing to check before sending the Stoetkit Junior back. With the amp cold and off for a long time, check around the earthing points around the pots. There's only three electrolytic caps I think and it may not be difficult to replace these, although I don't think they're in the signal path.. There are people here (pre65) who might be braver than I to take things down and replace caps and so on. If the basic sound is fun, then while it's with you, I'd seriously suggest getting it sorted, even if it means new pots and if these values aren't totally wacky, I can suggest some film type ones that won't break the bank - www.rapidonline.com/electronic-components/50k-logarithmic-rotary-potentiometer-68-1183Obviously, you'd need to check the value and so on and the above is but one type...
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Post by Deleted on Feb 27, 2016 17:20:00 GMT
Thanks, Dave. I will see what the seller says but may take a closer look. We have a great valve amp expert prety close to me at The Maughan Amplifier Company. He's getting on now and his son does a lot of repairs. I'm not sure if he'd still service anything now. Nice as his son is, he will likely never know as much as Mr Maughan has forgotten. I took an Audio Innovations amp in once and within seconds of whipping the lid off, he had identified the circuit type, flipped open an old text book and said to me "look, this is the same circuit". He could've been showing me a nuclear reactor diagram for all the sense it made to me, but he was a fascinating chap who took a couple of hours to show me lots of treasures including his amazing valve tester and his huge machine shop. He did a bang up job on that amp and a couple more. I also noticed some very exotic amps sat in their boxes waiting for a service. Not the sort of amps you'd let just anybody loose on. Our local dealer used to send Nakamichi tape decks to Mr Maughan for servicing too, so he clearly has many talents. People like Mr Maughan are never going to be replaced and I think that's very sad. Sorry for the drift. I hope the amp can be revived because I love saving things. I just wish I had more skills. Since the cycle accident, my right hand dexterity isn't great, and will never recover. Allied to my lack of electronics knowledge, it's a perfect recipe for ineptitude
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Post by Deleted on Mar 5, 2016 16:29:27 GMT
I bought a Mk2 Sugden A21a on behalf of a friend. I fired it up today to make sure it works ok. It's significantly better than the mk1. More authority, more presence and also sweeter, Remote volume is great too. What a lovely amp it is. I've heard mixed reports about the mk2. Some say a little less musical, others say it's pretty much the same. One guy told me it was quite a bit better and I have to say I agree with him. They go for £800-ish these days, but I have to say that's a bargain IMO. I'd never buy a MK1 after hearing the MK2.
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Post by Deleted on Apr 6, 2016 16:44:39 GMT
A few things have come and gone without much fuss.
I bought and sold a Naim CD5i. Very good but I want a top loader again. I bought yet another Sugden A21a. I also got a Harman Kardon HK6550. Nice butbive been there before. I also bought a Puoneer A400x from a mate.,I've had a few before and I quite like the A400x. I still haven't collected it from him, but I will get round to it. I returned my Audion amp for a service and some extras. It isn't back yet.
The one surprisingly refreshing purchase is a Pioneer A400 GTE. I always wondered whether the Tom Evans mods could really make that big a difference. My I lmpression so far is that they do. I have had mixed results with A400s over the years. It can really shine with big expensive speakers and a great source. Give it an excuse to sound unmusical though and it will happily oblige. If it was human it would be a fussy, stroppy Diva.
So far I have only used the A400x with my minstrels but it's really satisfying. It has none of the edginess you so often get with the A400 and it is incredibly dynamic, I don't want to over-analyse but right now I am really enjoying this amp.
I would post pics, but it's an A400: everybody's seen one.
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Post by Deleted on Apr 25, 2016 9:36:37 GMT
Just arrived. Off for some fun
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Post by MartinT on Apr 25, 2016 13:24:11 GMT
Enjoy!
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Post by Deleted on Apr 25, 2016 14:10:56 GMT
I bought and sold a Naim CD5i. Very good but I want a top loader again. Have you looked at a CDS3? they can be had for stupidly cheap prices, although you do need an XPS2 and they are still quite expensive, marvellous machines though. If not you could consider the CDS2 which wasn't as good as the CDS3 but certainly an impressive machine of it's time or even the original CDS… I personally love Naim sources, they just work so well
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Post by Deleted on Apr 25, 2016 14:39:08 GMT
I am limited in terms of weight and size. Anything I get will need to be carried in hand luggage when I leave the UK. Hifi will be a much smaller part of my life soon and I will probably have a very poor acoustic to boot, so I don't really want to spend a great deal.
I was going to go down the Rega route but only the orginal Planet seems to float my boat and I've had so many of them I fancied a change. A top loader would've been ideal because my wife prefers them and she uses the system more when I have one.
I hope this player will do the trick. First impressions are very good, but I will need some time to get to know it. Sadly my Exposure preamp has a loose connection and it's too fiddly for me to sort, so I'm without an amp until my Audion lands back from servicing.
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Post by southall1998 on Apr 25, 2016 16:41:23 GMT
I bought a Mk2 Sugden A21a on behalf of a friend. I fired it up today to make sure it works ok. It's significantly better than the mk1. More authority, more presence and also sweeter, Remote volume is great too. What a lovely amp it is. I've heard mixed reports about the mk2. Some say a little less musical, others say it's pretty much the same. One guy told me it was quite a bit better and I have to say I agree with him. They go for £800-ish these days, but I have to say that's a bargain IMO. I'd never buy a MK1 after hearing the MK2. The prices for the older A21a has cooled down a bit at the moment. They can usually fetch around £500-650. I've seen some last year going for £820 +.....Doesn't matter if it's a line version either. The MK2 A21a shows very good vfm second hand. They run even more hot, and produce a more thicker fleshed and richer sound. S.
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Post by julesd68 on Apr 25, 2016 17:02:39 GMT
I hope this player will do the trick. First impressions are very good, but I will need some time to get to know it. Sadly my Exposure preamp has a loose connection and it's too fiddly for me to sort, so I'm without an amp until my Audion lands back from servicing. I have had one of these for years but sadly mine is ill at the moment and I believe requires a new transport, so I have a Shanling doing the duties at the moment. I would love to do a side by side comparison of the two. In my system the Consonance has a very natural, detailed sound but never fatiguing. Enjoy!
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