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Post by MartinT on Dec 20, 2022 17:23:04 GMT
Melissa Tallon - Tell Me So open.qobuz.com/track/126172719As well as a beautifully sung song, this is a remarkably instructive test track. It's in standard Red Book 16/44 resolution so no cheating with hi-res, ANY system with enough resolution should be able to reveal the detail hidden in its digits. The opening immediately reveals a HUGE soundstage, communicating the space the piano occupies. If the soundstage doesn't sound vast, your system (not just the DAC) has deficiencies in least significant bit resolution. Her voice comes in multi-voiced (chorus? not sure which effect this is) but alternates with solo-voice at different times, the difference being very obvious. There is a simply delicious tight bass line underpinning it, which plummets at points but always with potency. Different cymbals are used, some 'dry' while others shimmer (again, not familiar with the exact types). The whole is contained within that wonderful acoustic, sounding rich and enveloping. I have heard this track improve with my most recent system changes and it really has helped as a baseline, a known good reference for me. Yes, it is only 16/44 but it should sound beautiful, not rough.
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Post by MartinT on Nov 12, 2023 20:04:35 GMT
Here's a possibly controversial one but I find it incredibly helpful when listening to systems. Listen to Come Away With Me by Norah Jones. If possible, listen in 24/192 if you subscribe to Qobuz or another hi-res service. This jazz influenced lounge piece is deceptively simple and smooth and lacking in perceived detail or dynamics. Wrong. There are two things that stand out for me that really define a system firing on all cylinders. Firstly, the brushed cymbals are superbly rendered, sounding exactly like a cymbal with gorgeous shimmer and decay into the background. Secondly, the piano should sound like the percussion instrument it is, forward in the mix and 'striking' sounding, literally. Further to this, it sounds like a live recording (it probably isn't) with tiny cues going on in the background. It's smooth and lush but there is so much in it than is first apparent. If it sounds dull, the system is not sufficiently resolving. open.qobuz.com/track/63333865
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Post by MartinT on Mar 18, 2024 8:04:22 GMT
Dead Can Dance - OpiumThere are two versions, one studio and one live, that are both worth playing. First and foremost, it's excellent music, and is a great test of whether your system is sufficiently resolving. The bass lines should all be equally powerful and not 'one note'. The soundstage is expansive and enveloping, especially in the live version. Brendan Perry's voice should be ethereal and stage front. The percussion should be clear, vivid and dynamic. This track should really set your system on fire if it's doing a great job. You may even be tempted to explore more of Dead Can Dance's catalogue. These two albums are both great examples of their style with Brendan Perry and Lisa Gerrard complimenting each other and both soaring in different songs. Rakim from the live album features them both doing their thing to mesmerising effect. Stunning music and a good system test! open.qobuz.com/track/16834900open.qobuz.com/track/8148956
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Post by John on Mar 18, 2024 21:22:57 GMT
Another track that getting it to sound balanced and flowing is difficult. It will trip up most systems.
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