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Post by MikeMusic on Feb 26, 2021 11:00:34 GMT
When a track changes, key, tempo part way through
When one track goes straight into the next
When the music stops dead, silence, then starts again
An old and well loved track is redone - well of course
Bet we all have examples...
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Post by Slinger on Feb 26, 2021 15:14:30 GMT
Any lead guitar break that has me reaching for my guitars, a box of matches, and a tin of lighter fluid.
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Post by MikeMusic on Feb 26, 2021 15:17:39 GMT
Reason I gave up trying to play acoustic guitar I had to sound like Hendrix and could not see that happening
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Post by MartinT on Feb 26, 2021 16:04:52 GMT
When the music stops dead, silence, then starts again Spooky, I was just playing the live version of Leonard Cohen Hallelujah on Cohen Live when he does that. You can almost hear a pin drop in the momentary silence. Thrilling.
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Post by wannarock2 on Feb 26, 2021 17:06:20 GMT
I don’t see a ‘Subject’ on this phenomena, but things I HATE in otherwise well recorded music is when the studio dubs-in vinyl static including periodic clicks etc. I understand it is part of the ‘performance’ but to me this technique has run its course.
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Post by julesd68 on Feb 26, 2021 17:14:04 GMT
You can't beat a good crescendo when done well. Khatchaturian's Adagio of Spartacus and Phrygia is probably my favourite example - two minutes of delicately restrained gentility and then he lets loose an almighty crescendo with a scale of turbocharged cellos and double-basses. Demands to be played at volume for full FX.
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Post by MartinT on Feb 26, 2021 18:04:57 GMT
You can't beat a good crescendo when done well. In 'Fears' from Shostakovich Symphony No. 13 there is an almighty crescendo involving something like a hammer blow which is sheer devastation - phenomenal and disturbing. Exactly the right effect for the subject matter. There is also the well known crescendo in the first movement of Mahler's Symphony No. 2 which reaches a staggering peak. Many more good examples.
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Post by jandl100 on Feb 26, 2021 18:31:47 GMT
I don’t see a ‘Subject’ on this phenomena, but things I HATE in otherwise well recorded music is when the studio dubs-in vinyl static including periodic clicks etc. I understand it is part of the ‘performance’ but to me this technique has run its course. This was always irritating, the silly sods seem to think it's artistic or cool or something.
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Post by rfan8312 on Mar 1, 2021 4:14:49 GMT
When I cant quite make out the lyrics but my mind is convinced I'm hearing something great.
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Post by MikeMusic on Mar 1, 2021 10:49:52 GMT
I don’t see a ‘Subject’ on this phenomena, but things I HATE in otherwise well recorded music is when the studio dubs-in vinyl static including periodic clicks etc. I understand it is part of the ‘performance’ but to me this technique has run its course. Not sure I like it or not. Has its place for atmosphere sometimes, maybe....
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Post by MikeMusic on Mar 1, 2021 10:51:00 GMT
You can't beat a good crescendo when done well. Khatchaturian's Adagio of Spartacus and Phrygia is probably my favourite example - two minutes of delicately restrained gentility and then he lets loose an almighty crescendo with a scale of turbocharged cellos and double-basses. Demands to be played at volume for full FX. Love that too in modern music.
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Post by MikeMusic on Mar 1, 2021 10:56:58 GMT
Back end of
Chris Spedding's Hurt
The whole album is wonderful. His best. Stellar when you take Stay Dumb Get Outa my pagoda Hurt
A dead stop, restart and one track into another
Skip the last 3 bonus tracks.
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Post by John on Mar 1, 2021 14:21:12 GMT
When you feel the music pulsating in your body When a song or music plays with your emotions When a guitar solo makes your back tingle When you are at a live concert the crowd and band feed off each other in the moment
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Post by MikeMusic on Mar 1, 2021 14:25:22 GMT
When you feel the music pulsating in your body When a song or music plays with your emotions When a guitar solo makes your back tingle When you are at a live concert the crowd and band feed off each other in the moment All of them ! Music does so much
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Post by jandl100 on Mar 1, 2021 14:46:57 GMT
As Mike says. .... The silences The really, seriously loud bits Beautiful melodies Discordant dissonances Extended overwhelming crescendos Ineffably serene diminuendos The purity of a solo vocal The unstoppable power of a mighty chorus And everything in between.
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Post by MikeMusic on Mar 1, 2021 16:05:27 GMT
Incredibly simple, EG Guitar all on its own
Complex Anything Gentle Giant did
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