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Post by jandl100 on Jan 18, 2021 13:33:59 GMT
Probably not for the purists amongst us. A suite for solo violin and, I guess, chamber string orchestra and piano. It's closely based on Rimsky Korsakov's orchestral blockbuster Scheherazade.
My wife wandered in as it was playing and she said "I like this, it sounds more like Russian folk music than the original". Who am I to argue? I like it, too.
No, it doesn't have the shock&awe majesty of the original, but it's enjoyable in its own way, imo.
The album also includes a superb performance of Khachaturian's violin concerto as well as his atmospheric trio for clarinet, violin and piano that I hadn't come across before, and some fillers.
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Post by julesd68 on Jan 18, 2021 13:50:10 GMT
Scheherazade is one of my all time favourite works so this should be interesting - didn't know of its existence.
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Post by Slinger on Jan 18, 2021 15:38:05 GMT
My late wife would have loved this. Whether she'd have played it or not is moot, but I'll bet she could have stared at that cover for hours. I'm firing it up now.
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Post by Slinger on Jan 18, 2021 16:57:38 GMT
I enjoyed that, and I'm playing the rest of the album now. I enjoyed the waltz in pt3 especially. 4/5
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Post by jandl100 on Jan 18, 2021 17:01:37 GMT
My late wife would have loved this. Whether she'd have played it or not is moot, but I'll bet she could have stared at that cover for hours. Yes, a nice bit of male totty. Sort of a KatiaB equivalent for the ladies. Have to confess that the cover did put me off, but the musicianship won me over.
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Post by MartinT on Jan 18, 2021 18:07:27 GMT
I'm not sure Ruth would go for the Jesus lookalike.
Sheherazade, for me, excels at the large orchestral treatment with varied instruments on different parts. This reduction doesn't quite involve me in the same way. However, it is well played. 4/5.
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Post by julesd68 on Jan 18, 2021 20:53:05 GMT
Initially I wasn't sure what to think of this - at times the performance seems ordinary, especially the first movement, but as it progresses it has some really lovely moments where he manages to move up the gears and dig a lot deeper.
The 3rd movement is where it comes alive for me and radiates with its quite wonderfully sweet tone and an unashamedly romantic and wistful approach. This is where the arrangement feels strongest and allows the soloist to really show off his musicality and technique; he plays with great passion. The gypsy infused sequence is a novelty.
It's an interesting curiosity and rather fun - I'd be very happy to hear it as part of a chamber music concert.
4/5
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