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Post by jandl100 on Aug 4, 2019 19:36:54 GMT
It's not particularly profound, or emotionally shattering, or impressively dynamic. It won't test your audio system to its limits. But it is tuneful in the extreme, and it's by turns beautiful and sad and joyous and also just sheer fun. It's written for string quartet plus an extra viola, and the resonant viola sound often dominates the textures. If you are interested, the genesis and description of the piece is succinctly presented here - www.hyperion-records.co.uk/tw.asp?w=W3625The whole piece is only about 15 minutes long. I love it. There are lots of recordings of it, I am particularly fond of the Nimbus effort. If you like it, then carry on listening to the 2 string quartets on the album.
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Post by Slinger on Aug 4, 2019 19:46:36 GMT
I've got that on Naxos, Jerry. coupled with the same two string quartets. I'll give that a go first.
[EDIT] As you say, Jerry, it's not going to set the world on fire but it is very emotionally rich. Hey, it's Vaughan Williams, so obviously it was going to be good?
8/10 which is, I believe, 7.2/9
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Post by MartinT on Aug 5, 2019 15:22:40 GMT
Beautifully recorded, very English, very evocative, very VW. 7/9.
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Post by julesd68 on Aug 12, 2019 19:06:43 GMT
I enjoyed an amazing Grecian sunset this evening and moved straight on to the VW - of course I'm transported straight back to our finest British countryside!
The opening movement I found rather haunting and particularly like the way VW messes with major / minor keys at a stroke.
I can sense a countryside train journey in the Scherzo, which I wasn't expecting and is beautifully portrayed.
The Sarabanda is a little 'Lark' lite - nothing much wrong with that but no surprises.
The Burlesca is a spirited finale and offers something fresh.
Very nice, I scored 7/9.
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