Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jul 13, 2015 22:59:15 GMT
And how is that relevant to sound quality? We are back to specs again.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jul 13, 2015 23:51:41 GMT
Specs are important. If you see specs for an amp saying frequency response 50Hz to 14KHz and THD 3% then you know it's not hi fi by a long way and without listening to it.
SMPSU's can be just as good as traditional PSU's if done right. I don't like them much but that's 'cos they're a pain in the arse to repair and less reliable than traditional supplies.
|
|
|
Post by MartinT on Jul 14, 2015 3:51:24 GMT
The Chord's been running for 15 years without any issues, most of that time switched on.
|
|
|
Post by pinkie on Jul 14, 2015 7:15:12 GMT
Hell Pinky a designer that doesn't listen to his product until the manufacturer makes one? Sorry but that is not the way to design audio. If it measures good it doesn't necessarily sound good. That is the problem with a lot of speakers these days. Also I am sceptical about the use of switch mode power supplies as they dump a load of nasties into the mains. I have heard the latest version of the Chord and it sounded Ok but not a revelation. I certainly wouldn't dump £8K on one and I think £3K is rather excessive for a pro mkt product. People use switch mode PS to save space/weight, what other reason not to use a proper toroidal? Paul. I would say that is your opinion and you are entitled to it, but it is of course Dunn's and you are merely voicing it on his behalf. I can think of any number of valid criticisms of the Benchmark and my opinion of it, which could have been posted 1) My listening opinions are based on very limited experience (close to none recently) of other quality designs which might be a reference. The Chord being one I would particularly like to hear, and compare the Benchmark to 2) The design is for the pro market, and includes features, at a cost, which are unnecessary for HiFi, like small size, cool running, low power consumption, 12v trigger switching, switchable input sensitivity, switchable bridged mono, and HEAPS of protection Let's have a look at your statements one at a time The first 2 seem to be a statement of defensive nonsense. How would you know how to design audio? How would the man you represent? - by his own admission he struggles with maths, which is why his "creations" are minor modifications to existing circuits. I have found this world of hifi forums full of wannabe designers, who since they lack the technical skills to produce original designs from scratch (cos its hard work) have a go at tweaking a bit and seeing if they like the sound. Nothing wrong with that if HiFi is your hobby - and you want to join in in that way. But don't pretend you either are designing new product or could. If it measures good it doesn't necessarily sound good. Well - I'm happy to admit I haven't carried out enough tests to state authoritatively - but based on 3 amplifiers designed by the measurement only route Pip, Integral and Benchmark AHB2 I would be inclined to comment that if you measure the right things you get pretty good results. All those reviewing them have agreed with that conclusion. I am not aware of a dissenter - and the Benchmark has had more than a dozen recent reviews. I would note in this regard that your comment was in relation to my comment about HOW THE AMPLIFIER SOUNDED - not measured. My comment was based on listening to it - supported by reviews of others who had listened to it
Your comment was based on what? You hadn't listened to it! It contradicts the only reviews you could have read. So presumably, in the role of Grima, your opinion was just serving the purpose of spreading the "truth" of your mentor. "and I think £3K is rather excessive for a pro mkt product." - and again - exactly what do you know about this. As a statement of fact the pro market are lapping it up and buying it like hot cakes. i think the first comment after the stereophile review by someone who actually knows that market is more relevant " Fairly affordable for state of the art. Submitted by jimtavegia on October 22, 2013 - 4:23pm I would think that would be hard to keep in stock at that price. Game-changer. " As for SMPS - another post I think - but again I think the comment belongs to hobbyists without the ability to implement the technology. Again your principal demonstrated his lack of understanding of electrical basics, like how a transformer works in combination with core electrical safety devices like an RCD on this very forum "You are talking nonsense. Do you realise what has to fail in order for that to happen. You have a RCB in your house, you don't need another one. The very very worst that can happen is one leg of the balanced line i.e. 120v (considered relatively non lethal) will be available and if any significant current is drawn it will still trip the house RCB. It is like putting a plaster on top of a plaster. You really should stick to accountancy. Read more: theaudiostandard.net/thread/277/power-regeneration-thread#ixzz3fqc1J1CJ" (The Power Regeneration thread July 12 2014 10:10) So I thank you for your opinions, and value them accordingly
|
|
|
Post by ChrisB on Jul 14, 2015 7:30:54 GMT
Richard, please stop prodding at RD through TAS - you keep doing this and it's against our rules. If you have an argument with him, then take it to him please. Also, it is possible for two people to have the same opinion whether it is right or wrong without one person being the puppet of another. Paul's disregard for SMPS is a commonly held belief among the hi-fi community. I'm not taking either side on that issue here, but I hardly think everyone who holds that view is a Dunn-bot.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jul 14, 2015 8:47:02 GMT
I can't understand why a common view on switch mode based amps makes me an RD puppet. I don't have a problem with people designing an amp by specs but auditioning and tweaking to achieve a musical sound has to be essential. What is value for money is a matter of opinion but I imagine the Benchmark branding will help. Richard you are just regurging technical info from your mate and this rather smells of a promotion. I thought you were an accountant and not an electronics expert in any case.
|
|
|
Post by dvh on Jul 14, 2015 8:59:08 GMT
"and I think £3K is rather excessive for a pro mkt product." - and again - exactly what do you know about this. As a statement of fact the pro market are lapping it up and buying it like hot cakes. i think the first comment after the stereophile review by someone who actually knows that market is more relevant " Fairly affordable for state of the art. Submitted by jimtavegia on October 22, 2013 - 4:23pm I would think that would be hard to keep in stock at that price. Game-changer. " Well, it's priced at $3,000 in the USA, equivalent to under £2,000, so it's less good value for money over here than over there. Plus its specifications are at least equalled by Devialet's products, which have been on the market for several years.
|
|
|
Post by pinkie on Jul 14, 2015 9:00:23 GMT
Chris - forget SMPS. Forget Dunn-bots
Paul hasn't listened to the amp (and very probably has no auditioning experiences to base his comments on) and yet makes comments like
"tweaking to achieve a musical sound has to be essential"
Let me make this unambiguous Paul. You are wrong. The amplifier "sounds musical" (probably, actually, the music sounds musical because the amplifier doesn't sound at all). There was no auditioning tweaking. Period
And for basic electricity like how a transformer isolates one circuit from another I no longer need coaching by any mates. Its fairly schoolboy, and I am happy I understand it comprehensively all by myself. Just like you could probably add up a till receipt without having an ICAEW qualification.
As for promoting Benchmark, you are of course right, and if you let me know which character you fancy playing in the next Star Wars film, I'll be happy to ensure you get the part.
|
|
|
Post by pinkie on Jul 14, 2015 9:03:29 GMT
"and I think £3K is rather excessive for a pro mkt product." - and again - exactly what do you know about this. As a statement of fact the pro market are lapping it up and buying it like hot cakes. i think the first comment after the stereophile review by someone who actually knows that market is more relevant " Fairly affordable for state of the art. Submitted by jimtavegia on October 22, 2013 - 4:23pm I would think that would be hard to keep in stock at that price. Game-changer. " Well, it's priced at $3,000 in the USA, equivalent to under £2,000, so it's less good value for money over here than over there. Plus its specifications are at least equalled by Devialet's products, which have been on the market for several years. Golf clubs cost about the same amount less in the USA than in the UK, but that is the reality of export markets. So do clothes. Have you shopped for Levi's in the USA? As for equalled specs, whilst I have no direct knowledge of them, I understand the Devialets also to be excellent sounding amplifiers. But not cheap. I think their equivalent power amp is about £9000.
|
|
|
Post by dvh on Jul 14, 2015 9:11:32 GMT
Well, it's priced at $3,000 in the USA, equivalent to under £2,000, so it's less good value for money over here than over there. Plus its specifications are at least equalled by Devialet's products, which have been on the market for several years. Golf clubs cost about the same amount less in the USA than in the UK, but that is the reality of export markets. So do clothes. Have you shopped for Levi's in the USA? As for equalled specs, whilst I have no direct knowledge of them, I understand the Devialets also to be excellent sounding amplifiers. But not cheap. I think their equivalent power amp is about £9000. Not so. Devialet don't 'do' power amps, as such. Their products combine pre-amp, power amp, phono amp and streamer in the one box, the equivalent to the Benchmark in terms of output being the 120 wpc model at £3990.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jul 14, 2015 10:02:29 GMT
Unfortunately SMPSU's are only one of many areas of electronic engineering where the widely held belief of hi fi enthusiasts is completely wrong!! The majority of these widely held beliefs are in fact wrong...
|
|
|
Post by dvh on Jul 14, 2015 10:10:21 GMT
Unfortunately SMPSU's are only one of many areas of electronic engineering where the widely held belief of hi fi enthusiasts is completely wrong!! The majority of these widely held beliefs are in fact wrong... IMO, hifi enthusiasts for the most part are best sticking to the 'I like the sound of this' approach, unless they're prepared to do some serious background reading and build stuff. Otherwise they risk parroting someone else's half-understood words.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jul 14, 2015 10:31:14 GMT
Unfortunately SMPSU's are only one of many areas of electronic engineering where the widely held belief of hi fi enthusiasts is completely wrong!! The majority of these widely held beliefs are in fact wrong... IMO, hifi enthusiasts for the most part are best sticking to the 'I like the sound of this' approach, unless they're prepared to do some serious background reading and build stuff. Otherwise they risk parroting someone else's half-understood words. If only this view was more widely held! It's got to the point where many manufacturers make products designed to pander to these old wives tales, knowing that the money has been spent in areas which will make no difference, rather than doing real engineering. I'm afraid life's too short for me to list all the engineering howlers that have become "accepted wisdom" and to then deal with the undoubted barrage of counter claim coming mostly from people who don't have the engineering knowledge to hold a valid opinion.
|
|
|
Post by ChrisB on Jul 14, 2015 11:33:36 GMT
Chris - forget SMPS. Forget Dunn-bots Paul hasn't listened to the amp (and very probably has no auditioning experiences to base his comments on) and yet makes comments like "tweaking to achieve a musical sound has to be essential" Let me make this unambiguous Paul. You are wrong. The amplifier "sounds musical" (probably, actually, the music sounds musical because the amplifier doesn't sound at all). There was no auditioning tweaking. Period And for basic electricity like how a transformer isolates one circuit from another I no longer need coaching by any mates. Its fairly schoolboy, and I am happy I understand it comprehensively all by myself. Just like you could probably add up a till receipt without having an ICAEW qualification. As for promoting Benchmark, you are of course right, and if you let me know which character you fancy playing in the next Star Wars film, I'll be happy to ensure you get the part. That's a different matter. I'm asking you to respect our rules and other members.
|
|
|
Post by pinkie on Jul 14, 2015 16:34:57 GMT
Yeah - sorry Chris. I'll try to remember the rules.
|
|
|
Post by pinkie on Jul 14, 2015 16:57:25 GMT
As to the SMPS bit which I said I would reply to in a separate post
First see my earlier post quoting Benchmark that they had RESEARCHED power supplies (not just thought about it) and FOUND SMPS to be QUIETER than a conventional linear, and gone on to explain why. As previously noted this amp was designed for them by THX, a George Lucas company, and my guess is they don't go making claims like that based on wishful thinking.
I'll leave it to Jez to continue the technical argument, since he manifestly knows what he's talking about.
And I'll continue to take technical advice from those I know and trust to have the expertise
Finally - the Benchmark SMPS is not a cheap chinese wall-wart. It is integral to the amplifier design using multiple power supply rails (class-G) and tracking power supply rails (class-H)
Following Martin T's answer to ClassicRocks "so what?" - ..".Benchmarks approach is to nearly eliminate all storage after the power supplies (ie capacitors). Power supply regulation takes the place of energy storage, responds quickly to peak loading, maintains very low ripple voltage and provides immunity to AC line-voltage fluctuations"
Power supply "shortcomings" manifest themselves in noise and distortion measurements. I go back to the expert comment I received about measuring mains treatments and mains noise reduction
"The place to measure the effect of any noise is not on the input to the power supply, but the output of the amplifier" Looks like SMPS delivers the goods then
|
|
|
Post by pinkie on Jul 15, 2015 7:17:53 GMT
Richard, please stop prodding at RD through TAS - you keep doing this and it's against our rules. If you have an argument with him, then take it to him please. Also, it is possible for two people to have the same opinion whether it is right or wrong without one person being the puppet of another. Paul's disregard for SMPS is a commonly held belief among the hi-fi community. I'm not taking either side on that issue here, but I hardly think everyone who holds that view is a Dunn-bot. I've realised what "irked" me on this. And why I felt this was not just classicrock posting. And it is what is so depressing and tiresome about HiFi forums The gratuitous negativity, defensiveness, and need to "run down" Nobody has been saying "this is the worlds best amplifier" or "you must have one". It is a project a friend has been working on for a few years as a design engineer consultant. He's worked on others before, and is working on new ones now. But it was different , and news worthy in the wider press benchmark amp launch. And I thought of interest to this forum and people interested in HiFi. It was an example of new technologies, new design ideas, and although expected to be a pro market item, is fast making inroads into HiFi for reasons which became pretty bloody obvious to me this weekend, when I finally had it running properly. Now, I was about to say, as I have elsewhere, "I could understand ... criticisms". But actually - why? What's wrong with "How interesting" "Fair play" "what's special, and how does it work?" Why the need to start saying what's wrong with it? Unless you have personal reasons to be defensive about anybody designing anything new or clever, especially an amplifier. Why the need for any negativity in a thread about a news worthy new product, which I happen to have seen in bits while it was being developed a few times? Why bother with forums?
|
|
|
Post by AlanS on Jul 15, 2015 7:45:37 GMT
MODERATION: Post deleted.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jul 15, 2015 8:01:27 GMT
Richard, please stop prodding at RD through TAS - you keep doing this and it's against our rules. If you have an argument with him, then take it to him please. Also, it is possible for two people to have the same opinion whether it is right or wrong without one person being the puppet of another. Paul's disregard for SMPS is a commonly held belief among the hi-fi community. I'm not taking either side on that issue here, but I hardly think everyone who holds that view is a Dunn-bot. I've realised what "irked" me on this. And why I felt this was not just classicrock posting. And it is what is so depressing and tiresome about HiFi forums The gratuitous negativity, defensiveness, and need to "run down" Nobody has been saying "this is the worlds best amplifier" or "you must have one". It is a project a friend has been working on for a few years as a design engineer consultant. He's worked on others before, and is working on new ones now. But it was different , and news worthy in the wider press benchmark amp launch. And I thought of interest to this forum and people interested in HiFi. It was an example of new technologies, new design ideas, and although expected to be a pro market item, is fast making inroads into HiFi for reasons which became pretty bloody obvious to me this weekend, when I finally had it running properly. Now, I was about to say, as I have elsewhere, "I could understand ... criticisms". But actually - why? What's wrong with "How interesting" "Fair play" "what's special, and how does it work?" Why the need to start saying what's wrong with it? Unless you have personal reasons to be defensive about anybody designing anything new or clever, especially an amplifier. Why the need for any negativity in a thread about a news worthy new product, which I happen to have seen in bits while it was being developed a few times? Why bother with forums? I for one am looking forwards to hearing this, and seeing how it compares to my Proprius mono blocks. I really like my amps, they are easily the best I have heard.
|
|
|
Post by Eduardo Wobblechops on Jul 15, 2015 8:08:45 GMT
Richard, please stop prodding at RD through TAS - you keep doing this and it's against our rules. If you have an argument with him, then take it to him please. Also, it is possible for two people to have the same opinion whether it is right or wrong without one person being the puppet of another. Paul's disregard for SMPS is a commonly held belief among the hi-fi community. I'm not taking either side on that issue here, but I hardly think everyone who holds that view is a Dunn-bot. I've realised what "irked" me on this. And why I felt this was not just classicrock posting. And it is what is so depressing and tiresome about HiFi forums The gratuitous negativity, defensiveness, and need to "run down" Nobody has been saying "this is the worlds best amplifier" or "you must have one". It is a project a friend has been working on for a few years as a design engineer consultant. He's worked on others before, and is working on new ones now. But it was different , and news worthy in the wider press benchmark amp launch. And I thought of interest to this forum and people interested in HiFi. It was an example of new technologies, new design ideas, and although expected to be a pro market item, is fast making inroads into HiFi for reasons which became pretty bloody obvious to me this weekend, when I finally had it running properly. Now, I was about to say, as I have elsewhere, "I could understand ... criticisms". But actually - why? What's wrong with "How interesting" "Fair play" "what's special, and how does it work?" Why the need to start saying what's wrong with it? Unless you have personal reasons to be defensive about anybody designing anything new or clever, especially an amplifier. Why the need for any negativity in a thread about a news worthy new product, which I happen to have seen in bits while it was being developed a few times? Why bother with forums? I wonder that myself from time to time.
|
|