Post by ChrisB on Mar 5, 2017 13:31:17 GMT
I think that for many of us, this type of album must have had a big influence in formation of our early taste in music.
There were two in particular that helped to give me a slightly wider view of the musical landscape. Up until the time I heard them, my taste was quite strictly defined within the confines of blues based heavy rock and that taste had been partly shaped by some sampler albums too.
They were released as offers to the readers of NME in 1985.
The first was called Tapeworm and I thought most of it was a bit crap, but loved a few of the tracks
It was the first time I heard Robert Cray, for example, and hearing The Faith Brothers made me go out and find their album, 'Eventide'. I loved the tracks by Guadalcanal Diary, The Blasters and The Beat Farmers. The Simply Red track made me dislike them even more!
NME 017 - 'Tapeworm'
A1 –Juicy Bananas - Bad Man
A2 –Fine Young Cannibals - Love For Sale
A3 –The Pogues - The Wild Cats Of Kilkenny
A4 –The Robert Cray Band - Phone Booth
A5 –Champion Doug Veitch - Not The Heart (NME Remix)
A6 –Paul Quinn - Ain't That Always The Way (Demo)
A7 –The Faith Brothers* - Stranger On Home Ground (String Version)
A8 –Win - Unamerican Broadcasting
A9 –Chakk - Cut The Dust (Demo)
A10 –The Jesus And Mary Chain - Inside Me
A11 –Frank Sidebottom - Anarchy In The UK
B1 –Wayne Smith - Under Mi Sleng Teng
B2 –Trouble Funk - Drop The Bomb
B3 –Shirley Brown - Love Fever (Remix)
B4 –Savajazz - Everything We Do
B5 –Simply Red - Money’s Too Tight (Dub)
B6 –Guadalcanal Diary - Watusi Rodeo
B7 –The Blasters - Common Man
B8 –The Beat Farmers - Reason To Believe
B9 –Los Lobos - Volver
The other one was a sampler of tracks from the Blue Note label and it had a massive influence on me because I realised that there was a lot more to jazz than trad and New Orleans styles that were on the TV and the few Brubeck and Modern Jazz Quartet albums that my parents owned.
This was great! I went out to the secondhand record shops and began hoovering up stuff by Miles, Monk, Art Blakey, Cannonball Adderley and others. I'm still hugely in love with this type of music.
NME 018 'Straight No Chaser'
A1 –Cannonball Adderley With Miles Davis - Alison’s Uncle
A2 –Kenny Dorham - Afrodisia
A3 –Ike Quebec - Loie
A4 –Hank Mobley - This I Dig Of You
A5 –Thelonious Monk - Straight No Chaser
A6 –Clifford Brown - Brownie Speaks
A7 –Jimmy Smith - I’m Movin’ On
A8 –Herbie Hancock - Watermelon Man
A9 –Johnny Griffin - It’s Alright With Me
B1 –Art Blakey & The Jazz Messengers - Mosaic
B2 –Bud Powell - Blue Pearl (Alternate Take)
B3 –Sonny Rollins - Wonderful! Wonderful!
B4 –Thad Jones - April In Paris
B5 –Lee Morgan - The Sidewinder
B6 –The Horace Silver Quintet - Finger Poppin’
B7 –Jackie McLean - Let’s Face The Music And Dance
B8 –Kenny Burrell - Midnight Blue
So, which samplers and compilations had a profound effect on you?
There were two in particular that helped to give me a slightly wider view of the musical landscape. Up until the time I heard them, my taste was quite strictly defined within the confines of blues based heavy rock and that taste had been partly shaped by some sampler albums too.
They were released as offers to the readers of NME in 1985.
The first was called Tapeworm and I thought most of it was a bit crap, but loved a few of the tracks
It was the first time I heard Robert Cray, for example, and hearing The Faith Brothers made me go out and find their album, 'Eventide'. I loved the tracks by Guadalcanal Diary, The Blasters and The Beat Farmers. The Simply Red track made me dislike them even more!
NME 017 - 'Tapeworm'
A1 –Juicy Bananas - Bad Man
A2 –Fine Young Cannibals - Love For Sale
A3 –The Pogues - The Wild Cats Of Kilkenny
A4 –The Robert Cray Band - Phone Booth
A5 –Champion Doug Veitch - Not The Heart (NME Remix)
A6 –Paul Quinn - Ain't That Always The Way (Demo)
A7 –The Faith Brothers* - Stranger On Home Ground (String Version)
A8 –Win - Unamerican Broadcasting
A9 –Chakk - Cut The Dust (Demo)
A10 –The Jesus And Mary Chain - Inside Me
A11 –Frank Sidebottom - Anarchy In The UK
B1 –Wayne Smith - Under Mi Sleng Teng
B2 –Trouble Funk - Drop The Bomb
B3 –Shirley Brown - Love Fever (Remix)
B4 –Savajazz - Everything We Do
B5 –Simply Red - Money’s Too Tight (Dub)
B6 –Guadalcanal Diary - Watusi Rodeo
B7 –The Blasters - Common Man
B8 –The Beat Farmers - Reason To Believe
B9 –Los Lobos - Volver
The other one was a sampler of tracks from the Blue Note label and it had a massive influence on me because I realised that there was a lot more to jazz than trad and New Orleans styles that were on the TV and the few Brubeck and Modern Jazz Quartet albums that my parents owned.
This was great! I went out to the secondhand record shops and began hoovering up stuff by Miles, Monk, Art Blakey, Cannonball Adderley and others. I'm still hugely in love with this type of music.
NME 018 'Straight No Chaser'
A1 –Cannonball Adderley With Miles Davis - Alison’s Uncle
A2 –Kenny Dorham - Afrodisia
A3 –Ike Quebec - Loie
A4 –Hank Mobley - This I Dig Of You
A5 –Thelonious Monk - Straight No Chaser
A6 –Clifford Brown - Brownie Speaks
A7 –Jimmy Smith - I’m Movin’ On
A8 –Herbie Hancock - Watermelon Man
A9 –Johnny Griffin - It’s Alright With Me
B1 –Art Blakey & The Jazz Messengers - Mosaic
B2 –Bud Powell - Blue Pearl (Alternate Take)
B3 –Sonny Rollins - Wonderful! Wonderful!
B4 –Thad Jones - April In Paris
B5 –Lee Morgan - The Sidewinder
B6 –The Horace Silver Quintet - Finger Poppin’
B7 –Jackie McLean - Let’s Face The Music And Dance
B8 –Kenny Burrell - Midnight Blue
So, which samplers and compilations had a profound effect on you?