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Post by Slinger on Feb 15, 2021 13:24:36 GMT
Justin Johnson: An American MasterA true master’s musicianship holds true to influences, yet follows spirit and heart first, setting aside rules and forging new and inspired art. Maybelle Carter did this, as did Django Reinhardt, Hank Williams, and Jimmie Rodgers. But in our modern world, profound musical originality is rare, and fewer still hold strong to tradition, while moving on to create distinctive new music. If, in this marketed world of overstimulation and oversaturation, you are seeking an artist with distinguishing musicianship and artistry, I recommend you listen to: Justin Johnson. When I first heard Justin, I was amazed. His technique is studied and focused, but still achieves previously unaccomplished inimitable ingenuity. He does this through a lately unstudied and somewhat forgotten method: honesty. Even though it may seem a familiar pathway, listen carefully…the music of Justin Johnson sets new destinations. You may hear the guitar style here of the old masters, the sounds of a wailing blues guitar, the tones of an ancient arch-top Gibson, the perfect sounds coming from a rare mandolin made in the early 1920’s, but there is more: and Justin will take you there. I am blessed to have discovered Justin Johnson and ask that you join me, take in the music, take in the very soul of America… It is all here, and it comes from the only honest place it could: the heart. -JOHN CARTER CASH, PRODUCER Justin Johnson brings to life old favorites as well as new material, with a twist all his own. Paying homage to the old, with the flair of the stars!! His music is timeless, yet fresh, with tastes of blues, folk, country, and rock. There is absolutely something for everyone on If Walls Could Talk. -CHUCK TURNER, PRODUCER I’ve been attracted to music for as long as I can remember. When I was growing up, if there was an instrument around the house, I would be banging on it. From an old beat up, one-string Stella guitar (my first guitar), to the piano, trumpet, and euphonium… I would write songs and force out melodies as best I could. When I picked up a 6-string for the first time, I immediately knew that the guitar was the instrument that would become my voice. I played it every minute I could. I woke up early to play it, ate with it, played it into the night, and then fell asleep with it. I learned songs by taping them on the radio.. remember tape!?.. and then trying to figure them out by ear. I saved any money I could scrounge to buy Tablature books and, later, DVDs taught by the players I admired. I ended up studying Jazz guitar in school, but the best education I ever got was on stage. At one point, I was performing regularly in 6 bands at the same time, from Bluegrass and Big Band, to Reggae and Psychedelic Rock groups. I like the feeling of learning to swim by jumping into the deep end. It’s always the fastest way to find out what you’ve got. - JUSTIN JOHNSON Those guys all said it much better than I ever could have done, with the added bonus that they actually know what they're talking apout. Check out some of Justin's YouTube videos too, like this one of him playing a 3-string shovel.
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Post by ChrisB on Feb 15, 2021 13:37:07 GMT
Thanks for your choice, Paul.
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Post by MartinT on Feb 15, 2021 14:32:40 GMT
Thanks, Paul. I know nothing about him so look forward to trying this out.
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Post by John on Feb 15, 2021 20:28:07 GMT
I seen his YouTube videos but not listened to his albums yet
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Post by petea on Feb 15, 2021 22:07:36 GMT
I struggled a bit I'm afraid and although clearly a talented guitarist, I found it all a bit dull. For me the best tracks were the ones with a vocalist, but it's shame it wasn't a particularly good vocalist. In some ways I found him a bit like Jeff Beck who always impresses me, but always more so when he is supporting a great singer. Probably not an artist I will explore much further, but it was interesting to hear him (and see him in action). Torn between a 2 and a 3, but given that I ended up skipping through a couple of tracks it is going to have be be a 2 I'm afraid.
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Post by Slinger on Feb 22, 2021 18:18:46 GMT
*BUMP*
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Post by ChrisB on Feb 22, 2021 18:21:48 GMT
Ahem, yes, I did play this the other day. Well, most of it, I suppose. I had to go and do something and wasn't able to return to it. I promise to give it another go tomorrow Paul.
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Post by John on Feb 22, 2021 18:54:11 GMT
I like his guitar tone I am not sure to give it a 3 or 4 It never quite reaches the heights I was hoping so I think it has to be a steady 3 from me
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Post by MartinT on Feb 22, 2021 20:25:22 GMT
Sorry I didn't get round to this until now. Firstly, it's a really driving, rhythmic performance and the recording is excellent. Incredibly vivid and exciting. I like the pseudo-Hammond keyboard accompaniment, too, which always spices up a good song for me (e.g. Graveyard Blues). I Put A Spell On You is done well. I like the rumble in Misterioso #2, and the muted trumpet.
Did I mention that the recording is fantastic? It's like being there with them.
Actually, it's all great. Gets a 4/5 from me.
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Post by ChrisB on Feb 23, 2021 14:04:38 GMT
A couple of plays now and I feel I can give an honest score of 3/5. I found it OK but a little unremarkable. Covers choices were both cliched and surprising! The beginning of 'Ghost Riders...' is magnificent, invoking Link Wray in my mind. I heard similarities with Albert Lee's playing and this may be where it went wrong for me, as I can admire Lee's technique but never really engage emotionally with the sound. I was also reminded of Roy Buchanon more than once. Thanks for giving this to us to listen to Paul.
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Post by Slinger on Feb 23, 2021 14:14:13 GMT
A couple of plays now and I feel I can give an honest score of 3/5. I found it OK but a little unremarkable. Covers choices were both cliched and surprising! The beginning of 'Ghost Riders...' is magnificent, invoking Link Wray in my mind. I heard similarities with Albert Lee's playing and this may be where it went wrong for me, as I can admire Lee's technique but never really engage emotionally with the sound. I was also reminded of Roy Buchanon more than once. Thanks for giving this to us to listen to Paul. It's interesting that you say that, Chris. I deliberately chose this album of his not because it was his best, but because it has a few tracks on it that people might recognise, as a sort of "gateway" to the album. Maybe I should have gone with my heart, not my head.
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Post by ChrisB on Feb 23, 2021 14:43:26 GMT
In that case, I had best be rooting around in his back catalogue for a look!
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Post by Slinger on Feb 23, 2021 15:11:43 GMT
In that case, I had best be rooting around in his back catalogue for a look! "Turquoise Trail: Soundtrack For A Western" is an interesting one, Chris.
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Post by MikeMusic on Mar 2, 2021 16:52:51 GMT
Not keen on 50s sound but good things going on Needs a return visit or two
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Post by jandl100 on Mar 16, 2021 5:49:47 GMT
Thanks Paul, I enjoyed that. Another early morning wake up at 230am headphone sesh. A good time to explore. I really like his pacing, happy to take his time. Fabulous laidback playing. Even the pacier tracks somehow sound laidback! "No rush.... let's just enjoy this." I liked the occasional vocal presentation, too. Nicely in keeping with the playing. And as Martin said, the excellent sound quality doesn't hurt, either. I guess a lot of the tracks are well known covers? I have no idea, a numpty at most non-classical I didn't recognise most of it. An easy 4/5 for me. I'm looking forward to trying on my loudspeakers once the household is up and about, should be cool.
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Post by Slinger on Mar 16, 2021 13:14:24 GMT
jandl100 the album I recommended to Chris, "Turquoise Trail: Soundtrack For A Western", might suit you. It's one of those "soundtrack to an imaginary movie" albums. Either that or you'll dislike it because it's one of those "soundtrack to an imaginary movie" albums.
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Post by jandl100 on Mar 16, 2021 13:56:30 GMT
2/5
You really like it?!
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