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Post by roughneck on Oct 23, 2020 20:59:16 GMT
As per title, your thoughts a feelings please. Are they good turntables? They have a new version out the evo. Doesn't seem much difference between the two. Should I buy an original one second hand? Thank you.
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Post by jandl100 on Oct 24, 2020 3:33:19 GMT
Hey, it's got the classic looks of a Linn Sondeck. Nice. 7 or 8 years ago I reviewed one of the cheaper Project turntables for Hifi Pig (a Debut Carbon, iirc) and I liked it a lot. I can't imagine you going far wrong with the Classic.
Penny pincher that I am I'd be tempted to go for a top condition used Classic rather than a new Evo. But that's not based on any experience of them. And you seem happy buying gear new so go for it is my advice!
Personally, I'd be considering installing a moving coil cartridge as well, I just prefer them to moving magnets. But that depends on music choices and available budget, and personal preference.
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Post by roughneck on Oct 24, 2020 8:26:35 GMT
Brilliant thank you for that. I have looked at new evo apart from cartridge, sub platter,plinth and switch it's the same as classic. I will go for a second hand classic then get a new metal sub platter at some point and an MC cart plus it will look good with rest of my hifi. Thank you
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Post by jandl100 on Oct 24, 2020 9:36:59 GMT
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Post by ajski2fly on Oct 24, 2020 10:38:01 GMT
As per title, your thoughts a feelings please. Are they good turntables? They have a new version out the evo. Doesn't seem much difference between the two. Should I buy an original one second hand? Thank you. Looking at the spec for both of them the EVO has quite a few improvements over the earlier Classic, which if you read a few more reliable reviews result in better control and soundstage. Looking at the difference in price, about £300, if I was buying new I would personally opt for the EVO. Pro-Ject generally make good TT's and I think if they say they have improved it and it is reported as better then it is worth that bit extra.
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Post by roughneck on Oct 24, 2020 10:50:44 GMT
As per title, your thoughts a feelings please. Are they good turntables? They have a new version out the evo. Doesn't seem much difference between the two. Should I buy an original one second hand? Thank you. Looking at the spec for both of them the EVO has quite a few improvements over the earlier Classic, which if you read a few more reliable reviews result in better control and soundstage. Looking at the difference in price, about £300, if I was buying new I would personally opt for the EVO. Pro-Ject generally make good TT's and I think if they say they have improved it and it is reported as better then it is worth that bit extra. Yes there a few improvements , but I have been offered an original classic boxed for £600 .Would it be worth the extra £700 for the newer version?
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Post by jandl100 on Oct 24, 2020 11:31:18 GMT
That sounds like a good deal. Spend some of the spare £££ on a nice MC cartridge and I should think that would more than make up the difference from the Evo.
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Post by julesd68 on Oct 24, 2020 12:21:36 GMT
700 would buy a good MC and SUT if required.
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Post by ajski2fly on Oct 24, 2020 12:27:17 GMT
Looking at the spec for both of them the EVO has quite a few improvements over the earlier Classic, which if you read a few more reliable reviews result in better control and soundstage. Looking at the difference in price, about £300, if I was buying new I would personally opt for the EVO. Pro-Ject generally make good TT's and I think if they say they have improved it and it is reported as better then it is worth that bit extra. Yes there a few improvements , but I have been offered an original classic boxed for £600 .Would it be worth the extra £700 for the newer version? Well that really depends on what you are looking for, reviews can be misleading but in this case it is clear that Pro-Ject realised and tried to address some of the failings with the Classic to what extent is difficult to know without a side to side blind test. But is seems from the review that both are smooth sounding TT's but at the expense of detail and bass control. In the same market price is the CLEARAUDIO CONCEPT which is highly recommended, I suspect new or secondhand it will outperform the project, but to might not meet your aesthetic requirement. I would definitely tray and audition whatever you go for, if you can. What Hi-Fi on the Classic "Verdict - In reality, there’s no such thing as a hi-fi component without compromise – some simply force the listener into fewer than others. It's which, and how many, of those compromises you are willing to make. For many, the modest shortcoming in terms of detail and out-and-out precision will mean extremely little once set against The Classic’s gloriously full and warm sound." www.whathifi.com/pro-ject/classic/reviewHi-Fi News Verdict - "Pro-Ject's new Classic Evo does what it says on the tin. It isn't a forensic retriever of detail, nor is it an ultra-grippy, taut and tight renderer of bass. Instead, it's aimed at mainstream buyers wanting something that sounds smooth, spacious and enjoyable – and in this it clearly succeeds. Factor in the fine build quality, ease of set-up and excellent bundled cartridge option, and it's an impressive package." www.hifinews.com/content/pro-ject-classic-evo-turntable-page-2
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Post by jandl100 on Oct 24, 2020 12:31:55 GMT
There are different approaches. I tend to be a transducer-first kind of audio person. To me it seems that the really tricky part of music reproduction is to convert from mechanical to electrical energy, and back again.
So, speakers and (back in my vinyl days) cartridges get a disproportionately large % of my overall spend.
Other folks prefer to allocate funds differently.
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Post by ajski2fly on Oct 24, 2020 12:54:36 GMT
There are different approaches. I tend to be a transducer-first kind of audio person. To me it seems that the really tricky part of music reproduction is to convert from mechanical to electrical energy, and back again. So, speakers and (back in my vinyl days) cartridges get a disproportionately large % of my overall spend. Other folks prefer to allocate funds differently. I tend to agree Jerry, but at this level the TT can make quite a bit of difference to the end result. It seems that the Classic or Evo have a particular trait that may be difficult to overcome even with a higher spec cartridge, but you won't know until you try it out. On a personal note, I used to have a Pro-Ject Xperience 2 which was very good, with an Ortofon Rondo Blue MC cart, but a different approach to TT design and much more modern, very good value for money even with a lesser cartridge they sound good.
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Post by roughneck on Oct 24, 2020 12:55:48 GMT
Thanks for your advice and help everyone. Made my mind up to go for the original and get a nice MC cart
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Post by julesd68 on Oct 24, 2020 16:31:21 GMT
I notice the Leak amp just has MM input so you'll need a good SUT or headamp.
In terms of carts I tried various MM and MC's before settling on the AT PTG33/II which was so good I never felt the need to upgrade. Worth putting on your shortlist.
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Post by jandl100 on Oct 24, 2020 17:39:36 GMT
It's worth considering a high output MC cartridge,that will go fine into a mm input. A Dynavector 10x5 is very high up on my all time fave cartridges list.
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Post by julesd68 on Oct 24, 2020 17:52:46 GMT
Agreed, the 10x5 is a cracker, only negative is price has gone up quite a bit.
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Post by jandl100 on Oct 24, 2020 18:07:23 GMT
Agreed about the price, but I've had a couple of excellent used 10x5 from ebay for around half price.
Even new at £550 it's good value imo - decent SUTs for low output MCs do not come cheap, sadly, even used.
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Post by julesd68 on Oct 24, 2020 20:54:08 GMT
There's a few exceptions - my Fidelity SUT was only around 200 quid and a fabulous performer.
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Post by MartinT on Oct 25, 2020 8:43:17 GMT
The Cinemag SUTs are good but have risen considerably in price.
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Post by ajski2fly on Oct 25, 2020 11:32:44 GMT
On the cartridge front, another option as others have said is a good MM going into your Leak. I purchased a Goldring 2500 MI(moving iron) earlier this year, a slightly different design with a MM output level. I opted for it as it had very good reviews, a bit of a leap of faith. The reason for the purchase was to save on use of my 2 quite expensive MC's a Benz Micro LP-S and Michell Cusis (Benz Micro Wood S in another body).
What surprised me was just how good the Goldring 2500 is, you can pick one up for about £450-480 which is a sixth the cost of my LP-S. In comparison the Goldring may have very slightly less detail, and I mean VERY, it is a great sounding cartridge, no harshness, solid bass, and very good soundstage, so very good value for money.
Another option for a similar price would be an Ortofon 2M Black MM, lots of people swear by them, a very detailed presentation so could be a good match with the Classic turntable, as a company Pro-Ject tend to favour Ortofon. If you do go for this then set up of it is critical, the vertical tracking angle(VTA) must be just right. Several people on other forums swear by them but always point that if you get the rear of the arm slightly to high with an Ortofon 2m then it will sound edgy.
Hope this is helpful.
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Post by roughneck on Nov 2, 2020 17:19:11 GMT
On the cartridge front, another option as others have said is a good MM going into your Leak. I purchased a Goldring 2500 MI(moving iron) earlier this year, a slightly different design with a MM output level. I opted for it as it had very good reviews, a bit of a leap of faith. The reason for the purchase was to save on use of my 2 quite expensive MC's a Benz Micro LP-S and Michell Cusis (Benz Micro Wood S in another body). What surprised me was just how good the Goldring 2500 is, you can pick one up for about £450-480 which is a sixth the cost of my LP-S. In comparison the Goldring may have very slightly less detail, and I mean VERY, it is a great sounding cartridge, no harshness, solid bass, and very good soundstage, so very good value for money. Another option for a similar price would be an Ortofon 2M Black MM, lots of people swear by them, a very detailed presentation so could be a good match with the Classic turntable, as a company Pro-Ject tend to favour Ortofon. If you do go for this then set up of it is critical, the vertical tracking angle(VTA) must be just right. Several people on other forums swear by them but always point that if you get the rear of the arm slightly to high with an Ortofon 2m then it will sound edgy. Hope this is helpful. Thank you for that info. Yes I will look into both of those
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