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Post by Mr Whippy on Sept 21, 2016 20:28:52 GMT
When Virtual Reality was set to become a reality, a sound medium to match the 3D visuals was required, and Binaural appears (behind you!) to be perfectly suited for the job and is being adopted.
That's it.
Few clips including the classic, Virtual Haircut. Just discovered this was created by Hugo Zuccarelli, creator of Holophonics. Got some mention in the Hi-Fi mags in the late '70s. Not really sure how it differs from Binaural. Think he died a few years ago.
The Shuttle launches aren't actually Binaural, but they do stand out a bit on headphones:
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Post by ChrisB on Sept 21, 2016 21:18:50 GMT
I remember the haircut. That's spookily realistic.
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Post by Mr Whippy on Sept 22, 2016 6:11:51 GMT
The last is quite good.
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Post by ChrisB on Sept 22, 2016 6:13:45 GMT
I remember the haircut. That's spookily realistic. Of course, nowadays for me, anything to do with a haircut is pure science fiction!
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Post by Mr Whippy on Sept 22, 2016 9:11:33 GMT
The panning spoils this:
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Post by Mr Whippy on Sept 22, 2016 19:22:45 GMT
This is pretty good:
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Post by MartinT on Sept 24, 2016 7:44:35 GMT
I remember Zucarelli Labs. Don't know much about the process, but Pink Floyd's The Final Cut does have something about the atmospherics that's different from other albums.
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Post by tim1750 on Jul 12, 2017 18:29:10 GMT
Thank you Mr Whippy that's the bog's dollicks
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Post by Chris on Jul 13, 2017 19:02:37 GMT
The BBC is broadcasting the proms in binaural this year. Radio 3.
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Deleted
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Post by Deleted on Jul 31, 2017 12:32:42 GMT
When I was at JVC I built a number of binaural mics, we were marketing the Bi-Phonic processors at the time. I remember standing at the end of the runway at Heathrow, with a polystyrene wig stand with exaggerated ears, recording Concorde taking off. The sense of it gaining height was amazing. The systems used some really high quality JVC studio mics and these were dissected so the electronics were in the neck and the capsules were in the ears. One of these ended up being used by the Flying Disc record label for a lot of their binaural live recordings. Later on when PZM mics came along, I found that two of these mounted on opposite sides of a pizza box, with stips of card behind them to form the ears, worked as well, if not better.
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